holy guacamole.

It’s time for another toolbox from the stash … well, technically a lockbox this time.

It was an easy decision to paint this one, that bankers box gray is nothing to write home about.

For some unknown reason I’ve been really drawn to avocado-y shades of green lately, so I ordered some of Dixie Belle’s Holy Guacamole.

This paint is only available in the 4 oz. size.  I hope that doesn’t mean they are phasing it out and all they have left is the 4 oz size.  Regardless, I ordered three of them, just in case I wanted to use it on something larger than a toolbox.

But for now, I used it on the inside of this lockbox.

I think this is one of those colors that people are either going to love, or hate.  I get it, it kind of looks like pea soup, but then, I love pea soup too.

I added a simple transfer from the Classic Vintage Labels from re.design with prima to the inside lid, and then sealed the interior with some of Dixie Belle’s flat clear coat.

And in the end, this color works perfectly with the I.O.D. Floral Anthology transfer that I used on the outside of the box.

The leaves in the transfer definitely have that same yellow-green in them.

This continues to be my favorite floral transfer, and this time I paired it up with a Classic Vintage Label on the top of the lock box.

I’ve shared so many ideas for ways to use these lock boxes in the past.  You can use them for your stamping supplies, your cosmetics, your seed packets, your sewing kit, your vintage photo stash, your arts and craft supplies, your ribbons, and on and on.  If you want to see all of my lock box posts, you can find them all under the ‘toolboxes.’ category under ‘sorted.’ in the right side toolbar (if you’re looking at this on a computer screen, it’s at the bottom of the screen on a cell phone).

This time around I just simply filled it up with paint brushes.

So what do you think?  Is Holy Guacamole for you?

Unless someone local wants to snatch this up first (see details on my ‘available for local sale‘ page), I plan to take this one into the shop next week.

 

my las vegas thrift haul.

Well, I’m back from visiting my mom out in Las Vegas.  I always call it Las Vegas, but technically she lives in Henderson, Nevada.  Anyone familiar with the area knows that Henderson is a sprawling residential area to the south between Las Vegas and Boulder City.

Our trip was a bit of a roller coaster.  On our first day in town my mom’s car broke down as we were headed out to dinner.  It completely died while we were driving down the road.  So we spent the first evening of our vacation waiting two hours for a tow.  That was Saturday night, so we then had to wait until Monday to get a prognosis on the car.

While we waited, my sister and I decided to walk over to the Goodwill.  I’ve mentioned before that my mom conveniently lives just around the corner from a Goodwill store.  Since we were on foot, and I’d have to carry anything I purchased back to mom’s house, I didn’t actually buy much.  But I thought it might be fun to share what I would have purchased if I’d had a car.  Well … and also if I didn’t have to pack it in a suitcase to get it back home again.

First up, this metal sphere.

Those are always fun for the garden.  If you can read that tag you’ll see that it was $4.99 which I thought was a good price.  It was actually light enough to carry back to mom’s, but it would have taken up a lot of space in the luggage.

Next up, this pair of funky metal candlesticks.

I’m not sure if you can tell the size of them in that photo, but the tallest was about 3′ tall.  These never would have fit in my suitcase.  Plus, they were a bit pricey, as was that giant brass bowl in the background.  Overall, I have to say I did find most items my mom’s Goodwill store to be a bit overpriced for me.

However, it would have been fun to give those the rusty treatment using the Dixie Belle patina paint.

Speaking of candlesticks, I also thought about grabbing these …

However, they ranged in price from $5.99 up to $9.99 and I didn’t think there was enough of a profit margin for re-selling them.

I should mention here that I don’t qualify for the senior discount at my mom’s Goodwill, you have to be 65.  Here in Minnesota you only have to be 55 or older.

There were a few glass bottles that would have been perfect for adding apothecary labels to like the amber Kombucha bottles that I shared before I left.

But since I haven’t attempted to sell my apothecary bottles yet, I’m not at all sure if there is a market for them so I didn’t grab them.

I found a few copper pieces too.

These were in pretty rough shape though.  Both were missing the handles on their lids, but I’m sure I could have come up with a way to replace those.  But again, far too bulky to put in my suitcase.

There were also a handful of wooden items that would have been fun to paint including this trash can (it’s upside down on the shelf).

Wouldn’t that have been fun painted?  Maybe with a transfer or a stencil of some kind added?  Or even just a simple swiss cross (like this pair of trash cans I painted)?

Again, that item was far too large to put in a suitcase.

However, these two little wooden boxes would have fit nicely.

I’m really not sure why I didn’t purchase those.  I think I was hoping to find something better.

I was truly bummed to have to leave these next few items behind.  First were these metal baskets.

They had handles, and were reminiscent of a locker basket.  I totally would have grabbed all six of them had I been at home.  You never know when you might need a cool basket to contain stuff.

And I also would have loved to purchase this buffet.

It was $49.99, so a reasonable price.  Wouldn’t that have looked amazing with a paint job and some fresh hardware?

Dang, it was hard to walk away from that one.

So, what did I buy?

LOL, yep, that’s it!  I mean, really?  How could I resist that reusable bag?  It’s perfect for me.  Now I just have to remember to bring it when I go thrifting with Sue next time.

As for the wooden bowl …

Well, I really just wanted to see what it would take to bring this back to life.

I gave it a good wash with hot water and Dawn dish soap, then I sanded it lightly with 220 grit sandpaper.  After wiping away the dust, I pulled out my Salad Bowl Finish from Homestead House.

I’ve had this one little 1.75 oz jar since 2017, so a little goes a long way.  I looked it up, and you can purchase this jar for $10.99 from The Painted Heirloom (which is where I like to order my I.O.D. products online as well).

A quick q tip for you in case you’re not in the know.  Homestead House, Fusion and Miss Mustard Seed Milk Paint are all made by the same people.  So The Painted Heirloom calls this product “Beeswax Salad Bowl Finish by Fusion Mineral Paint”.  Don’t be thrown off by that, it’s the same thing, as is the Miss Mustard Seed’s Beeswax Finish.

What I like about this product in particular is that it is food safe.  It was originally formulated for use on things like cutting boards and wooden salad bowls.  So it was exactly what I needed for my thrifted bowl.

Isn’t that wood grain lovely?

By the way, after our visit to the Goodwill on Monday, we learned that the engine in my mom’s car was toast, and were told it may or may not be covered under warranty.  At that point we went ahead and rented a car to drive while we waited on that news.  Fortunately, by Friday the warranty work was approved and my mom got a loaner car.  I have to say, she was a little stressed that entire time not knowing if she was going to have to cough up $6,000 for the repairs.  Thankfully, it will all be covered under warranty, even the loaner.  Clearly she has a guardian angel looking out for her!

I have a couple more posts I plan to share from my trip out west, so stay tuned for those.  I also have a few projects underway, and since I came home to something like 17″ of fresh snow outside, I’ll probably have plenty of time to work on smaller projects indoors over the next few weeks!

 

this little piggy.

I picked up this pig shaped cutting board a while back.  Well, to be honest, far enough back that I don’t really even remember where I got it.  Was it a garage sale?  A thrifted find?  I’m not sure.  But I had it in the stash waiting for a makeover.

I have a feeling that there was a time when every high school shop class churned out these pig shaped cutting boards by the millions.  They seem to be fairly common around here.

I added a French Market stencil to one way back when I was still hosting an occasional sale out of my carriage house.

In fact, I stenciled quite a few different cutting boards back then.

But lately I’ve been more into painting them.

But for this pig, I decided to go back to my roots and give him a quick stencil using one of Dixie Belle’s silk screen stencils from their Farmhouse set.

First up, I washed the cutting board thoroughly with very hot water and some Dawn dish soap.  Often times these old cutting board are pretty grungy.  Then I sanded it down to some fresher wood.

Then I applied the stenciled design using Dixie Belle’s Midnight Sky paint.

Let’s talk for a minute about silk screen stencils.  They are a bit different from traditional stencils.  For one thing, they are made out of a flexible, adhesive backed vinyl rather than the stiffer mylar of typical stencils.  Also, rather than a fully cut out design, the area to be stenciled is backed with silk screen.  That means bridges aren’t required in the design.

If you aren’t familiar, bridges are the areas that hold inside pieces in place, like below in the letters “P”, “O” and “A”.

So silk screen stenciled designs can look less, well, stenciled.

One downside to the silk screen stencils is that they don’t hold up to tons of use though.  I find that the silkscreen gets a little clogged with paint after a few uses if I’m not super diligent about cleaning them immediately after use.  And as we all know, I’m definitely not super diligent about that.

So if lots and lots of repeated use is something you value, and you aren’t all that good about cleaning your stencils, you may not like the silkscreen stencils.

You can see the result of a slightly clogged silk screen stencil on my pig.

Once I saw that rather rustic result from the stencil, I decided to make it work by adding some age back to the wood using Homestead House’s Antiquing Wax.

In hindsight, I kinda wish I had followed my own regularly given advice to lay down a coat of clear wax before adding the dark wax.  That allows you to move the dark wax around a bit more for a uniform look.

But no, I didn’t do that.

So I did end up with the dark wax being more pronounced over my stencil, basically where the cutting board was more worn.  This is definitely a case of do as I say, not as I do.

I will say that I think I certainly accomplished my goal of adding back some age though.

This definitely doesn’t look like freshly sanded wood with a newly painted stencil, right?

I should be sure to point out that this little piggy is no longer food safe, but rather intended for décor only.

What do you think?  Do you prefer the stenciled look, or the painted with transfers look?  Leave a comment and let me know.

craving some green.

I know I’m a month early for St. Patrick’s Day, but I just didn’t want to wait that long to share this little project.  Hopefully I’ll find something else to paint green between now and then.

In the meantime, you may remember that I picked up this … um, I don’t know what to call it … little cupboard thingie? … while thrifting recently.

I’m sure many of you were wondering what in the world I was thinking.  I have to admit, I was wondering that when I got it home too.  What was I thinking?  These cheap little things are a dime a dozen, why would I spend my time on it?

But in the end I thought, if nothing else, it would just be a fun little project to work on.  And sure enough, it was.

I started by using a small flat saw to cut off those knobs.

I knew I would be replacing them with library card catalogue style pulls, and they were glued in place so I didn’t want to risk doing damage trying to force them off any other way.

Next I scuff sanded the whole thing a bit so I wouldn’t see shadows left by the raised areas of the hand-painted birdhouses under the new paint.  After cleaning it, I gave it a coat of Dixie Belle’s Midnight Sky.  That’s because I was originally thinking I’d paint it black.

But once I had the black on, I thought that seemed like a rather boring choice.  It’s just a small, inexpensive item, why not go bold?  Maybe it’s all of that white snow we’re surrounded with here, but I’ve been craving a bit of green lately.  So I pulled out one of my favorite shades, In a Pickle milk paint from Sweet Pickins.

I mixed some up and painted over the black.

In my opinion, the layer of chalk style paint was not a wasted step though.  This little cupboard had a shiny, plastic-y sort of finish on it.  Milk paint would not have adhered to it very well at all.  That can be OK, if you want a chippy finish (or if you add a bonding agent).  But it could have possibly chipped a lot, and I didn’t really want that.

So, that brings me to today’s q tip; if you want to use milk paint over a shiny pre-existing finish but you don’t want unpredictable and potentially excessive chipping, start with a base coat of chalk style paint.

As you can see on my piece, once you distress the edges you will see both the original color and the base coat color under your milk paint so choose your colors accordingly.

After distressing, and then adding a coat of clear wax, I added those card catalogue pulls.  My friend Sue found a pile of these at a garage sale for me.

Next up I added slips of green and white gingham scrapbook paper to the pulls, and also lined the drawers with it.

This piece makes another great place to store one’s washi tape.

Or your Tim Holtz metal number plate thingies.

Or a million other small things that need to be rounded up.

I’m in love with this green and white gingham, especially for spring.

What do you think?  Would you bother with such a project?  Spending time and the cost of supplies to make over an item with little value?  Just for the fun of it?  Leave a comment and let me know.

the key to your heart.

My friend Sue found this red tacklebox for me.

When she handed it over she said something along the lines of ‘you don’t even have to paint this one.’  She thought it was perfectly worn ‘as is’.

Well, that threw me into a world of indecision.

The thing is, I agreed with her about that original patinated finish.  It is perfectly imperfect.  But experience has taught me that it can be difficult to sell a tackle box without adding some personality to it with paint and transfers.  Then there’s also the fact that it’s red.  Red isn’t super hot right now, and I usually only use red at Christmas.

So what should I do?

I started by cleaning it up, and then I went ahead and painted the interior in Dixie Belle’s Honky Tonk Red.  The inside was a bit grungy, and I want these things to be functional when I’m done.  To me, ‘functional’ means that you feel good about storing things inside whether it’s jewelry, art supplies, cosmetics, photos or love letters.  So a fresh paint job was definitely in order for the inside, and I stuck with the original red since I still hadn’t decided what to do with the outside.

I sealed the paint with some flat clear coat, but once I had that done I was a bit paralyzed.  I simply couldn’t make up my mind whether to leave the exterior alone, or to paint it.  So after looking at the thing for about two months, I finally decided to try something halfway between.

I added some transfers without painting the outside first.  Well, except that little inset rectangle in the handle, I did paint that.

Most of the transfers on the top are from the re.design with prima Middy French Labels set, except for the “Lost + Found” on the handle.  That one is a Tim Holtz transfer.

I also added a French Labels transfer to the inside of the lid.

And also a Classic Vintage Label to the front of the box.

It wasn’t until I started writing this blog post that I looked up cuir noir and found out that it translates to black leather.  I’m not even going to comment on my inadvertent combination of love and black leather.  Hey, whatever floats your boat, right?

At this point it did occur to me that this tacklebox was now the perfect place to stash your love letters, or those vintage saucy postcards.

Or maybe your favorite photographs of you and your Valentine, and most certainly the key to your heart.

That way you’ll always know where it is.

Normally this is the point where I mention that this one is for sale locally, etc.  And it is.  However, it’s already at the shop.  I brought it in last week before I left for my mom’s house.  So … it may still be there, or it may have sold last week.  It’s hard to tell from out here in Las Vegas!  But I’ll be sure to keep you guys posted on whether or not this one sells with it’s original red paint, so stay tuned!

diy apothecary bottles.

My friend Sue popped by the other day with some thrift finds for me.  I’d told her all about the dark academia themed window we were putting together at the shop (fyi, if you want to see how it turned out, check out the Reclaiming Beautiful Facebook page), so when she saw these amber Kombucha bottles she thought they would be a fun addition.

She suggested that I use some of the white I.O.D. Traditional Pots transfers on them.

But I was reminded of a video I’d watched from Canterbury Cottage (that Sue had also sent to me) where she printed out apothecary jar labels and applied them to bottles.  The video even has convenient links to the .pdf for printing out the labels (find that here).

So I thought I’d go half and half.  There were 8 bottles total, so four got white transfers and four got labels.

First up I washed all of them in hot, soapy water and let them dry.  Then it was super simple to apply the white transfers to four of them.

The white transfers have definitely improved over time.  When they first came out, I wasn’t a fan.  They had more of that filmy halo around them.  But I think these look really good.

There certainly is still some halo, and you can see it in that close up photo.  But to the naked eye it’s pretty insignificant.

People always ask if I seal transfers when applying them to glass, and I do not.  They stick like gangbusters to glass.  In fact, I usually warn people to make sure you’ve got your placement just right before allowing the transfer to touch the glass because it will get sucked down onto the glass like a magnet.

As for wear, they will be fine if handled gently.  You can hand wash them with soapy water, but don’t scrub on the transfer.  For that matter, when you get sick of them you can scrape the transfer off using a razor blade.

For the next four bottles, I added those apothecary labels using Mod Podge.

Personally, I prefer working with the matte version.  You all know I’m not a big fan of shine.  I also think that in this case it gives those paper labels a more authentic look.

I had printed the labels out on your basic printer paper.  Once I had them cut out, I brushed a thin layer of Mod Podge on the back of the label and applied it to the jar.  In contrast to those white transfers, you can easily slide the label around on the glass until you have it on there straight.  Once I had it in place, I smoothed it down with my finger to remove any air bubbles and then added another layer of Mod Podge over the top of the label.

I then carefully wiped away any excess Mod Podge around the edge of the label using a damp paper towel.

And that’s it.  Super simple.  I just had to let them dry.

Unlike the bottles with the transfers, these labels would not hold up well if you got them wet.  So I would not advise washing these other than possibly wiping them down with a dust rag now and then.

That being said, they really did turn out kind of fabulous, don’t you think?

Once I was done adding labels to all of my bottles, I thought it might be fun to update this little wooden crate to hold them.

This was a super simple project.  I scuff sanded the wood, wiped it down with a damp cloth and then stained it using DIY Liquid Patina in Dark & Decrepit.

I have to admit, I haven’t found a lot of uses for this product.  I experimented with it over paint and didn’t really like that look.  However, it worked perfectly for this.  I just applied it with a rag, and then wiped away the excess with the same rag.  I did have to use a q tip to get into some of the corners, but that wasn’t difficult.

It dried quite quickly, and once dry I added some more decoupaged apothecary labels to the sides.

Easy peasy.

Unfortunately, I did not get these finished in time to take them in to the shop this week.  And in other news, my sister and I are flying out to visit our mom on Saturday, so I won’t be around to take them in for a couple of weeks.  But eventually they will make their way into Reclaiming Beautiful.

In the meantime, which style is your favorite?  The white transfer, or the labels?  Personally I’m digging those labels.  They look so authentic to me.

Posts will be hit or miss over the next two weeks while I’m off at mom’s, but I’ll be back before you know it so be sure to stay tuned.

a mid-winter thrift haul.

My friend Sue and I headed out for a little thrifting again last week.  It was a cold but sunny day, perfect for an outing in early February.

I came home with quite the haul.  I found a few metal items, a copper chafing dish, a pewter tray, some gold candlesticks and some silver pieces.

My favorite is the little footed tray.

I decided to give it a bit of a polish before taking it in to the shop.

I don’t normally polish my silver, I kind of prefer the tarnished look.  But this tray was a bit grungy so I decided to give it a go.  Now it’s shiny and clean.

These little trays are perfect as soap dishes in the bathroom.  You could fit matching liquid soap and lotion bottles on it too.  Or you could use it in the kitchen for olive oil and spices, like this one that I thrifted last April.

I also brought home a pile of wooden items that all went into the ‘to be painted’ stash.

I always enjoy painting stacking boxes like these.

These were particularly nice quality wooden ones.  It seems like burgundy and forest green might be coming back into fashion lately, but I still don’t like them.  You know my motto, never say never.  In a year or two I might be painting things burgundy, but for now I wanted to give these a more neutral theme.

So I painted them in Dixie Belle’s French Linen, Sawmill Gravy and Drop Cloth (bottom to top).  Then I added some re.design with prima transfers from both their Classic Vintage Labels and the new Middy French Labels.

When you’re out thrifting, don’t forget to consider the out of season stuff.

I snapped up these nautical items, but will hang onto them until summer and then bring them to the shop.  I do also plan to repaint those buoys.

I found quite a bit of glassware while we were out too.

I certainly wasn’t looking for glassware, but I was specifically on the hunt for items that I thought fit Dark Academia style.  Have you heard of it?  I’ve seen it mentioned here and there lately.  Here is how Wayfair describes it, “Dark academia interior design embraces dark colors, rich textures, and vintage-inspired decor. Dimly lit rooms with flickering candles, alcoves full of intrigue, and an eclectic collection of knick-knacks are not at all out of place.”

Reclaiming Beautiful (the shop where I sell items on consignment) is planning a dark academia themed window display this week, so I needed some stuff that would work for that.

I thought that I could makeover some of the glassware to have that dark academia feel starting with the cloche.  I painted the base in Dixie Belle’s Midnight Sky, and then added some I.O.D. transfers.

The bee is from their Brocante transfer, and the wording on the glass is from Label Ephemera.

I also added some I.O.D. wording to the glass vessel in the front of my haul photo.

That’s from the Traditional Pots transfer.

Last up were these 4 glass vases.  Funnily enough, I found all four of them at 3 different thrift stores but they all happen to match.  It makes me wonder of these are vases used by a flower delivery service or something like that.

I chose them because I like the shape and size of them, and because I knew these transfers from the I.O.D. Brocante set would fit them perfectly.

There are 4 different versions of this transfer in the Brocante set, so a different one for each of my glass vases.

My favorite dark academia find of the day has to be this Nefertiti bust.

She is perfect for that design aesthetic!

I don’t often find furniture that I want at the Goodwill, the stuff there is usually either cheaply made or badly damaged.  But I did find this small dresser this time around.

I think this is going to be perfect for another Wallcutz stencil project that I’m planning.  You’ll just have to stay tuned for that one.

I really wasn’t able to pick a ‘find of the day’ favorite this time around.  Nothing totally jumped out at me as the best item.  Instead I will end this post with the item I almost put back on the shelf.

Sue picked up that 500 Gr. measuring cup and handed it to me.  Initially I thought it was one of those World Market knock offs.  I actually have one of those that we use all the time in our kitchen …

So I wasn’t sure I wanted to spend a whopping $9.50 on another.  But I decided what the hell, might as well, and I brought it home.

However, my World Market version is clearly marked “World Market” on the bottom, and this thrifted one has this mark …

So, hmmmm, it appears to be the genuine article.

Now, do I keep it?  Or sell it?  Decisions, decisions.

 

perfection is not the name of my game.

I bet you guys have practically forgotten that I also paint furniture.  It definitely has been a hot minute since I worked on any.  That tends to happen this time of year though.  I usually have a big push in the fall to finish up any pieces that are out in my workshop, and then I go into Christmas mode and mainly work on smaller items of some sort.

Then shortly after the holidays I get itching to work on furniture again.

So with that in mind, I started searching Facebook Marketplace and Craigslist to find a likely candidate and I came across this dresser.

I chose it for a couple of reasons.  First of all, the price.  I got a great deal on it.  Second, I thought the style was fairly versatile.  It has a bit of a mid-mod vibe without being overtly mid-mod.  I liked the relatively clean lines and the curve.

The dresser needed a few quick repairs before I could get around to the fun part of painting it.  Ken replaced a missing runner underneath one drawer …

Then I did a lot of gluing of loose veneer.  If you look closely at the before photo you can see that there was a lot of veneer damage on the sides of the drawers and on the base.  So once I had the loose pieces securely glued down, I used some of Dixie Belle’s Mud to fill any gaps.

Next up I stripped the finish on the top of the dresser using CitriStrip.  It wasn’t until I had the top completely stripped that I noticed there was a chunk of veneer missing up there too.

Well, drat!  I know nothing about patching veneer, so I wasn’t going to attempt that.  I also hated the idea of filling it and then painting the top after all of that work stripping it.  So ultimately I decided to just live with it.  Since when am I aiming for perfection?

Well, about that … here’s a little sidebar for you … I tend to fall down rabbit holes on YouTube and my most recent rabbit hole is Baumgartner Restoration.  He does fine art restoration with painstaking attention to detail.  After spending too much time watching his videos I was starting to think that I should be aiming for perfection myself.

But then I remembered, this is cast off furniture not fine art.  My goal is functionality and decorative appeal, not perfection.  This flaw is towards the back and any potential buyer is likely to have something on top of this dresser that covers up that spot anyway.

A pile of books does the job perfectly.

So after sanding the top smooth, rather than re-staining and adding a clear coat, I decided to just give it a coat of clear wax to bring out its beauty but also leave it a bit more on the rustic side.

I decided to hedge my bets and give the base a coat of Dixie Belle’s clear B.O.S.S. before painting it.  I wasn’t sure if the orange-y stain would bleed or not, but I’ve learned over time, better safe than sorry.  It’s so much easier to just go ahead and add that B.O.S.S. from the get-go (too bad I didn’t apply this knowledge to the boxes I shared on Friday!).

Next came two coats of Dixie Belle’s Bunker Hill Blue.

It’s such a gorgeous, rich shade of blue.

While the paint dried, I decided to brighten up those figure 8 drawer pulls with some metallic wax.

In this case, I used the re.design with prima décor wax in Eternal.  I find it easiest to just apply this stuff with my finger while wearing a latex glove.  Before applying the wax, I prepped the pulls by simply washing them in hot water with Dawn dish soap.

I let the wax dry for about 24 hours, and then buff it up just a little with a soft cloth.  Those gold pulls really pop against the Bunker Hill Blue.

Before putting the pulls back on, I lightly sanded the paint with 220 grit sandpaper and then finished up with a coat of Dixie Belle’s Big Mama’s Butta in the Orange Grove scent.

If you’ve never used this product, I like to describe it as halfway between wax and hemp oil.  It contains all-natural hemp seed oil, coconut oil, beeswax, and carnauba wax.  It works really well for rejuvenating dried out wood, but it can also be used over chalk paint (or milk paint for that matter).

I apply it with a wax brush and then buff away the excess with an old t-shirt.  In this case, a dark blue t-shirt to avoid leaving white fibers behind.

This dresser is super sturdy, and crazy heavy.  They really don’t make them like this anymore.  It’s also quite large.  I’m not sure it looks it in the photos, but it is 4′ wide.

I hope that even though I didn’t achieve perfection, I did breath a little new life into this one.

What do you think?

This piece is for sale locally, check my ‘available for local sale‘ page for more details.  And as always, thank you to Dixie Belle Paint Co for providing the paint and butta used in this makeover.

mistakes were made.

I picked up a pair of wooden boxes while thrifting a week or so ago.

After sanding and cleaning them, I painted them with Dixie Belle’s Endless Shore, which is from their Silk paint line (ie. an acrylic paint with a built in primer and top coat).

I pulled out I.O.D.’s Floral Anthology transfer to decorate box no. 1.

After applying the florals, I added some French wording from the I.O.D. Label Ephemera transfer.

Full disclosure, I have only the vaguest idea of what these words mean so it could be total nonsense.  But it looks good to an English speaker.

After decorating the first box, I was about to do something similar with box no. 2.  But then I remembered a customer who once told me that she wished I didn’t put French words on everything!  So, I decided to go in a slightly different direction on the second box.

I first added some grain sack stripes using Dixie Belle’s French Linen.  Then I added the sheep from the I.O.D. Brocante transfer.  The little “No. 1120” and the date in the corners are from a Tim Holtz transfer.

I also added a farm name to the side of the box from the Everyday Farmhouse transfer from re.design with prima.

Finally, I applied one of the re.design with prima knob transfers to the top of the box.

I didn’t paint the insides of either box for a couple of reasons.  First of all, they aren’t real roomy inside and getting in there with a brush would have been a pain.  Second, they are clean inside, so they didn’t really need to be painted.

So far, so good, right?

But this is where I made my mistake.  As you can see in the photos, I distressed the edges of my boxes quite a bit.  Although the Silk paint has that built in topcoat, the transfer still needs some sort of sealer.  In addition, because I sanded the edges down to the bare wood, the Silk paint finish is compromised and will benefit from some protection on those edges as well.  Unfortunately, I decided to topcoat with Dixie Belle’s flat clear coat.  As I’ve learned in the past, sometimes a water based sealer will draw tannins out of the wood.

Honestly, I should have known better.  Look back at that ‘before’ photo, this wood was very orange-y red.  The Silk paint has a built-in stain blocking primer, and it was working quite well up until I added that flat clear coat.  All of the preceding photos were taken before the clear coat was added.

But about 24 hours after adding that clear coat, the boxes started to show bleed thru.

It’s much more obvious on the back of the boxes, but if you’re familiar with the look of bleed thru you can see it on the front as well.  Especially in the area I’ve circled below.

Also, FYI, the bleed thru continued to worsen over time.  Be forewarned, that can happen with bleed thru.  It has been about two weeks since I finished these and they seem to have stopped getting worse now.

If I could go back and start over I would opt to give these boxes a coat of Dixie Belle’s B.O.S.S., followed by their chalk style paint in Drop Cloth, and then a top coat of clear wax after applying the transfers.

But I can’t go back in time, so now what?

If these were pieces of furniture there is no way I would feel good about selling them ‘as is’, but these boxes?  Maybe?  I don’t know, what would you do?  Leave a comment and let me know!

typography transfers.

By now you all know that I have a love of typography.

I like putting words on things.

Sometimes that’s with a stencil.

Or sometimes with an I.O.D. paint inlay.

But most often it’s with a transfer.

My all-time favorite is the Label Ephemera transfer from I.O.D.

I do have one complaint about this one though, that the designs overlap each other.  It can be challenging to cut them apart, and some sections are simply unusable on their own.  In addition, this transfer has been retired, so it’s going to be harder and harder to get my hands on it.

I also really love I.O.D.’s Traditional Pots transfer.

However, all of the designs in this set are curved to fit on a cylindrical kind of object, ie. a pot.  So I think they look a little wonky on flat objects.

This button box is a good example of what I mean by that.  Here’s how it looks on a flat object.

And here’s how it looks on a curved object.

Yep, definitely better on a curved object.

I find that the Classic Vintage Labels from re.design with prima are a little more versatile in that regard.

Although many of them have some curve to them, they also have some straight lines so they tend to work well on flat or curved surfaces.

I just ordered two more sets of these, so I’m looking forward to updating more thrifted finds with them.

But they are rather small.  They are perfect for little stuff, but don’t really have enough impact for bigger projects.

Speaking of small, I also sometimes use Tim Holtz transfers which are even smaller, or the knob transfers from re.design with prima.

That’s one of the knob transfers on that miniature toolbox above and the dresser has a combination of Tim Holtz and I.O.D. Traditional Pots transfers.

Dixie Belle has recently come out with a typography transfer that works well for smaller items called Vintage Post.

I’ve used bits of it on various things like this tackle box.

But again, there is a lot of overlap of designs on this one that makes it challenging to cut out specific elements to use on their own.

Dixie Belle also has their On the Farm transfer that has some typography in it.

I particularly love that one.

And speaking of a ‘farm’ theme, re.design with prima has Everyday Farmhouse.

It’s fairly basic.

Nonetheless, I’ve used it on lots of items.

I keep hoping that someone will come out with more designs similar to the Label Ephemera from I.O.D., whether that’s I.O.D., re.design with prima, Dixie Belle, or some other manufacturer of transfers.

In the meantime, for a change of pace I recently ordered some of the new French Labels Middy transfers from re.design with prima.

I picked up a no-name crock at the Goodwill recently.  I call it ‘no-name’ because it doesn’t have any markings on it anywhere, it’s just plain and not a collectable antique.  So I tested out one of the French Labels on it.

It dressed it up perfectly, taking it from drab to fab!

If you’re just starting out using transfers and you want something easy to apply, these Middy transfers are a great option.  They come on an 8 1/2 x 11 sheet and for around $16 you get three sheets of them, so you aren’t making a big financial commitment and you have plenty to play around with.

As far as quality goes, I find that all of these brands I’ve mentioned work quite well.  I can’t honestly say that the quality of any one brand is better than the others.  The I.O.D. transfers come on a gridded sheet that makes it easier to keep them straight which is nice.  But basically I tend to choose based on the look of the graphics themselves.

You have some options for purchasing transfers.

You can try to find a brick and mortar shop near you that carries them.  Here are links to the ‘find a retailer’ page for I.O.D., Dixie Belle and re.design with prima.  I will warn you though, many of the brick and mortar retailers don’t have a full inventory of products so it can be very hit or miss.  Before driving very far, I would call to see if your nearest retailer has the item you want.

I almost exclusively order my transfers online.  There are lots and lots of options for purchasing from online sellers.  One resource is Etsy.  One caution there, make sure you are looking at transfers.  You’ll also find decals, and digital prints and other things that look like transfers, but aren’t.  Read the fine print before placing your order.

Initially ordering via Etsy has led me to retailers that I now order from directly.

For I.O.D. products, I like The Painted Heirloom.  She always ships items super fast, however, you will pay $6.95 for shipping if you spend less than $60.  She doesn’t offer free shipping until you’ve spent $150 or more.  She also doesn’t have any back inventory of retired designs, so I’m out of luck on getting any more Label Ephemera from her (check Etsy for retired designs, there are usually people out there with back stock).

For re.design with prima products, I ordered my Middy labels from Flipping Fabulous.  She also ships super fast, and offers free shipping for orders over $75.  The Classic Vintage Labels I ordered recently came from Sweet Pickins.  That can be a handy way to order if you also happen to need some of their In a Pickle milk paint!

I always order my Dixie Belle transfers directly from their website, but they do charge shipping.

As for small Tim Holtz transfers, you can find some of his stuff at Hobby Lobby or Michaels, although I don’t know what their current inventory looks like.

I hope I’ve answered a few questions about transfers today.  Now how about you?  Do you have a favorite brand of transfer?  And if so, why?  Leave a comment and let us know.