the french ceramics linen press.

Published on by Quandie62 Comments

I’m so excited to share today’s makeover with you.  I put a lot of effort into this piece.  I really think it paid off and I’m hoping you think so too.

I’m a big fan of linen press dressers, so when I saw this one on Craigslist it was a no-brainer even though it was at the very top of my usual price range.

What makes this a ‘linen press’ are the interior drawers.

Every time I see one of these I want to save it, even though I know it’s a bit more work than a traditional dresser.

This one didn’t require much in the way of repairs, just a little adjusting for one of the doors that was sticking.  I simply sanded the bottom of the door a bit, tightened up the hinges and now it works fine.  You’ll also notice that some of the detail trim has broken off, but I’m OK with that.  I think it just adds to its vintage charm.

As soon as I brought this piece home I knew I wanted to use the French Ceramics transfer from Prima Marketing’s re.design line on those interior drawers.

I thought Dixie Belle’s In the Navy would be the perfect compliment to the transfer.

I began by stripping the top of the dresser with Citristrip.  Next I lightly sanded the entire piece and then cleaned it with a damp cloth.  Then I painted the shell with Dixie Belle’s In the Navy and the interior drawer fronts with Fusion’s Limestone.

The Limestone took two coats, but believe it or not I got away with just one coat of the In the Navy.

I waxed the top of the dresser using Dixie Belle’s Best Dang Wax in Brown.

That walnut burl wood veneer is kinda gorgeous, so I wanted to bring it back to its former glory.

I waxed the areas painted in In the Navy with Dixie Belle’s Best Dang Wax in Clear.  By the way, you can feel perfectly safe using DB’s Best Dang Wax inside your home.  It has almost no scent at all and it contains no petroleum distillates.

Once that was done I got out my Bronze Age art alchemy metallique wax from Prima Marketing …

and applied that to the details on the fronts of the doors using a q-tip.

The Bronze Age provided just the right look.  I think a brighter metallic would have overpowered the piece.

And now for the really fun part.  Yep, there’s more!  I applied the French Ceramics transfer over the Limestone on the inner drawers.

Yowza!  I absolutely love it!

Let’s talk logistics for a minute.  I needed two sets of the transfer for this project.  I used the entire first set and just the left 6″ from the 2nd set.  The transfer comes on three sheets that are 22″ wide x 10″ tall each.  The pattern has a repeat both horizontally and vertically.  Meaning that you could line up the design into perpetuity going either across or down. Since the drawers are 28″ wide that meant that I could add another 6″ to the width by lining up the sheets from the 2nd set for that remaining 6″.  Boy, that was about as clear as mud, right?

Suffice to say that you can line this pattern up fairly easily both across and down and it will look seamless.

I gotta say, whoever ends up owning this lovely linen press might find it difficult to keep the doors closed.

Maybe that makes it perfect for a messy person who never quite gets doors shut.

If you’re wondering where to purchase the Prima Marketing re.design French Ceramics transfer or their art alchemy metallique waxes, check out their ‘where to buy’ page.

If you’re wondering where to buy the Fusion paint in Limestone, check out their ‘where to buy‘ page.

If you’re wondering where to buy the Dixie Belle In the Navy paint or any of their waxes, you can shop with them directly online or find a retailer near you.

And finally, if you happen to be local (Twin Cities, MN) and in need of a gorgeous linen press dresser, check out my ‘available for local sale’ page for more details.

Many thanks to Dixie Belle, Fusion and Prima Marketing for sponsoring this project by providing the paint, waxes and transfers.  As always, although this is a sponsored post, all opinions are my own.

caviar with a vodka chaser.

Published on by Quandie26 Comments

Have you ever tried caviar?  I’ve tried it a couple of times.  The most memorable was when Mr. Q and I were in St. Petersburg, Russia where we we tried on fur hats, ate caviar and then washed it down with shots of vodka.

But even with the vodka chaser, this delicacy is pretty much lost on me.  Give me a bag of potato chips instead any day.

But there is one kind of Caviar that I just can’t get enough of …

Dixie Belle’s Caviar!

I’ve shared several pieces painted in this color over the past year starting with a pair of Windsor chairs that I painted back in February.

They were followed by a lovely vintage dresser.

Then in July I painted a gorgeous vintage bed in Caviar.

And more recently I painted the simply beautiful hutch in this color (although the inside is painted in Fusion’s Coal Black which is a pretty good match, just a little different sheen).

On Monday I shared the latest collaboration between me and my handyman Ken, the black bench.

And I still haven’t had enough Caviar!

In addition to the bench, I painted several more items in Caviar recently.  And I played around with some other ‘chasers’ including clear wax, black wax and black glaze.  I started with this vintage train case (do you call it train case?  or a vanity case?  or a makeup case?) …

  

I cleaned the case first with soap and water.  Then I painted it with two coats of Caviar and stenciled it with craft paint.

I finished it with Dixie Belle’s Best Dang Wax in Black.

I find it easier to apply an appropriately thin coat of wax using a brush rather than a rag.  Once applied, I go over the waxed surface with a clean cloth right away to remove any excess wax.  You can then wait 10 or 15 minutes and buff to a shine, but I’m not a super shine lover so I don’t do very much buffing.  The brush pictured is one that I reserve exclusively for use with dark wax.

Today’s q-tip:  usually I advise adding a coat of clear wax prior to adding dark wax, but with pieces painted in black that isn’t necessary.

Next I painted a library chair in Caviar, and then finished it with Dixie Belle’s Best Dang Wax in Clear.

I have to admit that I didn’t notice a whole lot of difference between using the clear wax versus the black wax over the Caviar.  Also, as an FYI, I used Dixie Belle Best Dang Wax in Brown on the vintage dresser above which worked beautifully as well.  So if you have a particular color of wax on hand already you could just use that over the Caviar, no need to buy a special wax.

Next I painted this rather heavy wooden tool box in Caviar, stenciled it and then tried something different for the topcoat.  I used the Dixie Belle Black Glaze.

I applied the glaze using a cheap foam brush.

It went on so easily and the glaze seems to add just a tad more sheen than the wax does.

I actually finished this toolbox before I finished the bench that I shared on Monday.  It was my guinea pig for the glaze.  It went on so easily and looked so good that I went ahead and used the black glaze on the bench too.

One thing to keep in mind is that some of the water based poly’s are not recommended for use over black because they can become streaky.  For that reason I tend to stick with wax, glaze or hemp oil when adding a top coat to black.

If you haven’t tried Dixie Belle’s Caviar, you absolutely should.  And although I wouldn’t recommend following it up with a vodka chaser, I do think clear wax, black wax or the black glaze are all great choices!

the black bench.

Published on by Quandie39 Comments

Well, I guess it’s lucky that I moved my painting operations indoors last week.  Here’s how things were looking at my house yesterday.

October 14th is maybe just a tad early for this sort of thing, don’t you think?

Cossetta seems to agree with me, can’t you see the faintest hint of annoyance on her face?

You know what?  It wasn’t until I was editing the photo that I noticed that her tiara is missing.  Do you suppose the squirrels stole that too, along with my mini pumpkins?

Not to worry, I popped outside after writing this blog post and located her tiara on the ground under all of those snowy ferns.

Well, fortunately things were warm and cozy inside and despite the snow on Sunday, we did get a few hours of sunshine on Saturday and I was able to get some photos of a few pieces that I finished up last week.

Remember the twin headboard and foot board that I picked up at a garage sale where everything was a quarter (yes, absolutely everything, including this bed)?

I pretty much knew from the get-go that I wanted to have my handyman Ken turn this into another bench.  But first I had to sell him on that idea.  You see, the first bench he made hadn’t yet sold at that point.  He wanted to wait and see if that one sold before committing to another.

But of course it sold!  It was awesome.  And as soon as that happened I carried these pieces over to Ken’s workshop to be made into another bench.

I heeded some advice given by Laura who commented that I should cut a little off the legs of the headboard this time to make the back of the bench a bit shorter.  Ken cut about 3″ off those back legs before assembling the bench.

And as you can see, I also took the advice that Meggan (a.k.a. the thrift doctor) left in her comment and painted it black.  Specifically, Dixie Belle’s Caviar.

I did a bit of distressing with sandpaper, especially around the spoon carving.

Instead of waxing this piece (which, let’s face it, would have been a workout) I top-coated it with Dixie Belle’s Black Glaze.  That couldn’t have been easier to apply using a foam brush.

I also painted the back of the bench this time.  Since it’s lower, it could conceivably be used at a dining table, in which case the back needs to be painted.

This time the pillow shown in the photos won’t be included with the purchase.  I have a pair of these pillows that I think I purchased from Restoration Hardware, or maybe it was Pottery Barn, several years ago and they are my favorites.

The boots won’t be included either 😉

I just picked those up at DSW last week and honestly I’m not even sure yet if I’m keeping them myself, but clearly I’m going to need some boots this winter if this weather keeps up.  I need to try them on again with some heavier socks to see if they really are going to work.  But when you wear a size 11 shoe, you pick stuff up when you see it because they’ll be gone the next time you go back.  So you buy them first, and then think about them later.

But I digress.

How do you like the bench?

It’s pretty sweet right?

If any of you locals could use a black bench for your foyer, mud room or possibly even your dining room, be sure to check my ‘available for local sale‘ page for more details.

Many thanks to Dixie Belle for sponsoring this project by providing the paint and glaze.  As always, although this is a sponsored post, all opinions are my own.

If you’re wondering where to buy Dixie Belle products you can shop with them directly online or find a retailer near you.

brrrrrr.

Published on by Quandie19 Comments

In the past I know that I have been able to continue painting in my unheated carriage house workshop well into October.  Usually October is one of my favorite months weather-wise; cooler, but not too cold.  Perfect for painting outside.

But for the last two weekends in a row we haven’t made it out of the low 50’s.

Despite the temps, I had some pieces out in my workshop that I really needed to get painted.  Since I planned to use Dixie Belle paint on them I reached out to my contact there to find out if it was OK to use their paint in the cold.  The official answer is yes, you can apply the paint outside if the temps are in the 50’s.  However, it will take longer to dry.

And of course, I’d have to pile on the fleece to be comfortable myself too.  Plus keep in mind that Dixie Belle paint should not be allowed to freeze.  Freezing and thawing again may affect the integrity of the paint.

So in the long run, even though I could have painted in my workshop, I opted to move my painting operations back indoors.  Luckily Dixie Belle paint is non-toxic and has zero VOC’s, so I’m perfectly comfortable with using it indoors with the windows closed to keep out the cold.

Since low temps below freezing are predicted for this coming weekend, I realized it was time to move all of my painting supplies back inside the house too.  This seems like a good opportunity to remind everyone of some cold weather painting tips for the three types of paint that I use most.

Milk paint is probably the most cold weather hearty paint that I use.  I’m referring to authentic milk paint that comes as a powder that you then mix with water when you’re ready to use it (Miss Mustard Seed, Homestead House, The Real Milk Paint Co and Sweet Pickins are all true milk paints).  General Finishes Milk Paint is not a true milk paint, but an acrylic paint, FYI.

Although I can’t find any definitive information about it online, I’m sure I could get away with leaving the milk paint powder packets out in the workshop in temps below freezing as long as I warmed it back up a bit before mixing it with water.  I wouldn’t choose to store it out there all winter of course, but if I forgot it out there for a few freezing nights I’m betting it would be fine.

Once mixed milk paint only has a shelf life of a few days.  Plus it is recommended that you store it in the fridge overnight if you aren’t going to use it right away.  So leaving mixed milk paint in a chilly workshop would be OK, but don’t allow it to freeze at that point.

Also, it’s OK to paint with mixed milk paint outside all the way down to freezing.  Just keep in mind that it will take longer to dry and you’ll freeze your butt off while doing it.

Fusion Mineral Paint is freeze/thaw stable.  It has been formulated to withstand freezing and then thawing up to three times without affecting the integrity of the paint.  So if you forget to bring your paint inside when the weather turns, you have three chances to get it inside before it starts to feel the effect.

Well, that makes sense eh?  Fusion is a Canadian company and they know cold.

Also, much like the Dixie Belle and milk paint, you can apply the paint in temps down into the 50’s but it will take longer to dry.

As for safety, all three of these paints are perfectly safe to use indoors with the windows closed.  Each one has zero VOC’s, and all three have very little odor.  Since I typically spend nearly six months out of 12 painting inside (more like seven this year apparently) this is an important quality to me.

This is a good time to remind you guys that not all waxes are created equal when it comes to safety.  If you didn’t see my previous post about that, you can find it {here}.  Please stay safe, especially when working indoors with little ventilation!

And if you’re wondering what I did get done last weekend, I finished up five pieces all painted with Dixie Belle’s Caviar.  I’ll be sharing them with you next week, so be sure to stay tuned!

 

foul weather friends.

Published on by Quandie16 Comments

Every so often my friend Meggan, the thrift doctor, and I get together on a Thursday evening for what we call Thrifty Thursday.

This tends to be a winter activity for us.  Meggan and her family have a cabin up north that they spend time at in the summer (one of these days I’m hoping she’ll write a guest blog post for us about her cabin, hint, hint Meggan), and I tend to do more garage saling rather than thrifting in the summer.  We hadn’t gotten together for a Thrifty Thursday since some time last winter!  Instead of ‘fair weather friends’ I think it would be more fitting to call us ‘foul weather friends.’  When the weather isn’t suitable for anything else, we go thrifting.

So last Thursday, which was chilly and rainy, Meggan picked me up and we headed to our local thrift store.

We always manage to come home with at least a few goodies.  Meggan has three outdoorsy boys at home and she always finds gear for them at bargain prices, but both she and I are on the lookout for fun vintage decor pieces too.

I always dig through the racks of hangers looking for any with old advertising on them.  I only found one this time …

But I also grabbed several plain vintage wooden hangers.

I thought it would be fun to see if I could add a little faux ‘advertising’ to them.  I started with some old 7 Gypsies rub-on’s that I had in my stash.

These are all from their set called Nomenclature and they ended up being perfect for these narrow hangers.

I pulled out some of the Prima Marketing knob transfers to use on the other two hangers I purchased.

I keep finding fun new ways to use these transfers.  They have just the right vintage vibe for the hangers don’t you think?

While I was digging around in my stash of Prima Marketing transfers I came across one that was a perfect fit for the enamelware refrigerator box that I also found while thrifting.

This is the bottom portion of the smaller sized Seeds transfer.  I’d used the rest of it on a chair recently and this bit was left over.

This box is the perfect size for storing all of my Prima Marketing waxes and chalk pastes.

That reminds me that I never did share that chair here on the blog.  It’s one that I painted, photographed, and then took to Reclaiming Beautiful to sell.  I didn’t get around to looking at the photos until after I’d taken the chair away.  In the end I had taken only one photo that was blog worthy, so I never blogged about it.

So now you know, I only share the cream of the crop here on the blog 😉

Speaking of which, I painted three pieces of furniture last weekend but we’ve had nothing but dreary weather unsuitable for photography since then.  Hopefully the sun will come out again soon.  Sometime before next spring would be nice.  Otherwise Meggan and I will have no choice but to continue thrifting every Thursday.

Linking up with the Vintage Charm Party at My Thrift Store Addiction.

it’s officially fall.

Published on by Quandie23 Comments

I tend to not do a whole lot of seasonal decorating.  How about you?  I find as I get older that time goes by so ridiculously fast that it doesn’t feel worth it to get out the Halloween decor because in five minutes it’s going to be time to get out the Christmas stuff.  Do any of you feel that way?

Plus, nature does such an amazing job of decorating for fall that it feels silly to have to add anything more!

Apparently nature is trying to reinforce my opinion on that because the tiny pumpkins I added to my fairy garden last week have already been stolen.

I suspect that squirrels are to blame rather than klepto fairies though.  The white pumpkin disappeared first, and the orange gourd followed a couple of days later.  So much for that plan.

I have done a few fall craft projects in the last couple of years though, so I thought I’d recap them for you today in case any of you want to do some fall decorating yourselves.

I’ll start with my ‘hello fall’ book page banner.

Last year I shared a quick tutorial on how to make one using old book pages and your printer.

You’ve also already seen my french pumpkins.

The one above was made using a cardboard pumpkin, paint and some Fusion transfer gel.  Get all of those details here.

My second french pumpkin looked like this …

It’s an old wooden pumpkin transformed with some paint and a Prima Marketing transfer (details here).

Then there were the ‘hello fall’ toolbox planters.  The one on the bottom is painted in Fusion’s Mustard.  The one on the top is in its original red.

I used my Cricut machine to cut the words out of adhesive vinyl.  These are perfect for just popping in some mums and calling it good.

While I had the Cricut out that year, I also made some ‘hello fall.’ plates …

They are fun to add to planters full of mums, kale and hydrangea flowers.

I did whip up one more quick fall decoration this year.  I had a fake plastic pumpkin in my stash so I painted it white using Fusion’s Limestone.  Then I pulled out some Prima Marketing supplies; decor wax in a color called Eternal and a transfer called Simplicity.

Rather than try to apply the transfer as one whole sheet, I just cut out sections of the design to place randomly on my pumpkin.

It was a little tricky to place the flat designs onto a curvy pumpkin, but I’m OK with a little imperfection.

I used the Eternal wax to give the pumpkin a gold stem.  This was the first time I tried the Eternal, but it definitely won’t be the last.  It’s the perfect gold, and it was so easy to apply using a q-tip.

My new toile pumpkin pairs nicely with my french pumpkin, don’t you think?  OK, maybe not the most traditional looking fall decorations but they suit my style for sure.

too sexy for my shirt.

Published on by Quandie25 Comments

Back in May I picked up this manikin at the Roseville city-wide garage sales.

She’s probably a shop manikin, not to be confused with a dress form that can be adjusted for size.  She didn’t have a stand, and she’s just a Styrofoam type material underneath a stretchy knit fabric cover, but I still figured I could do something with her.

After all, I’d worked with something similar when I came up with Lulu.

If you look closely you can see that Lulu is also Styrofoam and she has a doorknob for a head (poor thing).  I’ve turned her Styrofoam-ness into an asset by using her as a pin board for old photos.

I painted her with black chalkboard paint and used the base to one of those table/lamp combinations to create a stand.

I can’t remember precisely how long ago I cobbled Lulu together, but it was before I had a blog which makes her at least 5 years old or more.  She’s held up remarkably well for being made out of painted Styrofoam.

Anyway, I felt sure I could do something similar with the manikin from Roseville.

First I had to come up with a stand of some kind.  I’d been waiting all summer to magically find another table/lamp but no such luck.  But then I remembered that I had an antique metal floor lamp thingie tucked away out in the carriage house.

Please pardon the terrible photo.  It was raining when I took it, but I just wanted to grab a quick photo to show you what it looked like.

Initially I thought I was going to have to have my handyman Ken cut it down to the right height, or at a minimum cut that top decorative piece off.  However, as it turned out the top piece screwed right off and then when I added the manikin torso (which has a hollow metal pole up the center) it ended up being the perfect height already.

Next I removed that hideous stretchy knit fabric from the manikin.

This was about when that song “I’m too sexy for my shirt” popped into my head (who else remembers that song?).

This torso is just way more, well, sexy than Lulu.  It almost feels a bit wrong to leave her unclothed.  She seems to have a lot more curves to her.

But, I pressed on.

I first gave her a coat of Rustoleum black chalkboard paint.  Since it had worked so well on Lulu, I thought it would make a good base coat for this manikin too.  But ultimately I knew I wanted to add a Prima Marketing transfer to her like I did with Collette, the dress form that I refurbished earlier this summer …

I had some Homestead House milk paint on hand in a color called Algonquin, which I thought would be perfect for this look.  If the milk paint got chippy, I didn’t want to see the yellowish color of the Styrofoam underneath hence the black base coat.

So once the black paint was dry I mixed up the milk paint and added a coat.  So far, so good.  Once that was dry, I added a 2nd coat and then left the manikin to dry overnight.

The next day I was so excited to get home from work and get the transfer added.  But, that was not how it went at all.  Instead I went into my workshop only to find that the milk paint had chipped like mad.  Except instead of revealing the black chalkboard paint, it was taking it along for the chippy ride and chipping all the way down to the Styrofoam underneath.

This was that moment that you dread in any project.  The moment when you realize that you have to start over.  Well, actually, even worse.  First you have to remove all of the chipping paint, and then start over.  Ugh.

Lesson learned:  Styrofoam, chalkboard paint and milk paint don’t mix.

Well, it was an experiment.  And now we know.

After chipping away all of the loose paint, I gave the manikin a light sanding just to be sure she was ready for another go.  Luckily I had some Fusion paint in Algonquin on hand.  Yes, same color as the milk paint, but this time in an acrylic paint.

Ahhh, much better.  One coat of Algonquin later and things were looking up.

As you can see, I ended up with a lot of texture (some might call it damage, I prefer to call it texture), but that just gives it more character.

Next I applied the transfer.

I knew it would be somewhat challenging applying it to a curvy surface rather than a flat one.  To make that easier, I cut the transfer into smaller sections which helped quite a lot.

In the end it went surprisingly well.  If you try something similar, just be sure to go slowly and make sure each letter is adhered before moving on to the next.

I still wasn’t done though.  Next I added a coat of Miss Mustard Seed Clear Wax followed by a coat of Fusion’s Expresso Wax.  It’s always wise to use a base coat of clear wax before adding a dark wax to make it easier to blend your dark wax.

I also painted the wooden topper on her neck in Algonquin and then added a Tim Holtz number rub-on.  I finished that off by adding some of the Prima Marketing metallique wax in Bronze Age to the screw that holds it in place.

When she was all done I decided to call her Coco.

She almost looks a bit like she’s made out of stone or plaster.

I ended up bringing her in to Reclaiming Beautiful (the shop where I sell on consignment) on Wednesday evening and even though I still wonder if she’s just a bit too sexy for her shirt, someone snatched her up right away Thursday morning!

 

the black bag.

Published on by Quandie18 Comments

A couple of months ago my friend Sue found this old black leather bag for me.

It doesn’t look like much in that photo, but I knew I could dress it up with a stencil.

The trick with stenciling something like this is being able to provide some support behind the surface you are stenciling.  In this case I laid the case on its side and filled it up with a stack of large books so that I would have a firm, flat surface for stenciling.

I stenciled it with Ceramcoat acrylic craft paint in Deep Taupe.  I know it appears white next to the black, but trust me.  It’s this color …

This is one of my favorite tricks for stenciling on black.  If you use a white paint the contrast will be much more stark.

I used just the lower portion of a stencil that I purchased from Maison de Stencils (and I noticed it just happens to be on sale at the moment).

Sue tells me that the person selling this bag said it was actually used as a doctor’s bag.  It is quite old, but unfortunately not in the greatest of shape.  You wouldn’t be able to use it as a bag anymore.  The zipper is broken and the leather handles are starting to give way.

But it works perfectly if you just want to use it as decor.

I filled it with crumpled paper to give it some shape and then I stitched the opening closed since the zipper wasn’t functional.

It looks great on a stack of vintage suitcases …

It has a bit of a spooky feel which is perfect for this time of year.

Adding a quick stencil is a super easy way to give something just a little more interest, don’t you think?

a spooky fairy garden.

Published on by Quandie17 Comments

And just like that, in the blink of an eye, it went from summer to fall here in Minnesota.  Last Monday it was sunny and warm and by Friday night we had our first frost warning of the season.

With highs in the low 50’s, it was too cold to paint in my carriage house workshop all weekend.  So instead I worked on pulling out all of the annuals that were past their prime in my planters and replacing them with mums, ornamental kale and pumpkins.

I decided to go traditional this year with oranges, reds and yellows.

While I was at it, I decided to add a little fall decor to the fairy garden too.

I started with a tiny white pumpkin and a tiny orange gourd (yep that’s technically a gourd and not a pumpkin).

They were only 99 cents each at my local Bachman’s.  Although they are tiny, in the fairy garden they become huge, blue ribbon worthy pumpkins!

I also came across some tiny pepper plants in the miniature section at Bachman’s.  Even though peppers don’t normally scream fall, I thought the red and orange coloring would lend an autumnal vibe.

Next I added some fun miniature decorations that I picked up last year at another local flower shop, Rose Floral in Stillwater.

With the additional of a few spooky tombstones and the fairy garden is definitely feeling more in season.

And who doesn’t love to see a tiny skeleton clawing his way out of the ground in their fairy garden?

I also put some fresh batteries in the tiny string of fairy lights on the evergreen shrub to make sure the fairies don’t get too frightened by the new decor.

And just like that we’ve got a spooky fairy garden!

a never ending bedtime story.

Published on by Quandie21 Comments

Back in August I purchased this full size bed frame at the MacGrove garage sales (there are metal side rails included, they just aren’t pictured).

Aside from being a bit orange, it really is made out of rather pretty wood.

But this sort of look isn’t a hot seller just now as is, so I decided to give it a new look to try to make it more marketable.

I started with some basic prep, a light sanding followed by cleaning with some Krud Kutter and rinsing with clean water.  The I painted the bed with three coats of Fusion’s Limestone, a beautiful creamy white.  Once the final coat had dried overnight, I pulled out a new transfer from Prima Marketing’s re.design line called Never Ending Story.

What I noticed as I was applying it is that it isn’t really a story.  Instead it’s a collection of fabulous quotes such as ‘never cross the ocean unless you have the courage to lose sight of the shore’, ‘strive not to be a success, but rather to be of value’ and  ‘all of our dreams can come true if we have the courage to pursue them’.

How inspiring to sleep near such wise words.

This particular transfer comes on three sheets that are 10″ tall by 22″ wide each (for a total of 30″ tall by 22″ wide).  I used two of the sheets side by side on the foot board, and just a portion of the third sheet on the headboard.

Then, because I just couldn’t bear to leave them blank, I used a couple of the re.design knob transfers on the little raised rectangles on either side of the headboard …

This one is from the French Maison set.  It’s the one in the upper left portion of the sheet …

I trimmed off the little curlicues at the top and bottom so that it would fit, which left it looking less round too.

It’s a tiny little detail on the headboard that is barely noticeable, but I still love it.

Another detail that I should point out is that this transfer isn’t really meant to be placed side by side like I did on the foot board.  The quotes do not read all the way across the full foot board.

But the transfer has a distressed, faded appearance anyway … it’s not like the wording is crisp and meant to be easily legible, so I don’t think that matters much.

I love the unique look of this bed now, and it’s perfectly themed for a bookworm!

If you’re wondering where to purchase the Prima Marketing re.design Never Ending Story transfer or the knob transfers, check out their ‘where to buy’ page.

If you’re wondering where to buy the Fusion paint in Limestone, check out their ‘where to buy’ page.

And finally, if you happen to be local (Twin Cities, MN) and in need of a Never Ending Bedtime Story bed, check out my ‘available for local sale’ page for more details.

Thank you to Fusion for providing the paint for this project, and to Prima Marketing for providing the transfers.  And a special thank you to my sister for squeezing this bed into the back of the already full SUV that day at the MacGrove sales 😉