embracing change.

Good morning from the garden!

Over the past week I’ve been working hard on embracing change.  I fully admit, I’ve never been a fan.  Especially when the change is not by choice.

Ironically, just last week I wrote a blog post from the garden about having patience, and changes in the garden that take years to come to fruition.  But sometimes the opposite happens and a very drastic change takes place in the garden overnight.

Recently my neighbor/handyman Ken decided to have the enormous shade tree in his back yard cut down.

Ken and his wife planted this tree as a small sapling when they moved into their house back in the late 70’s.

After nearly 50 years of growth, it was huge.  Not only did it shade Ken’s entire backyard, it also shaded a good bit of our backyard and also our house.

But lately Ken had been worried about the the age of the tree.  As I’ve mentioned so many times lately, we’ve had a lot of rain this summer and much of it has been accompanied by high winds.  A tree had come down on a house a few blocks away from us and Ken became convinced that the same could happen with his tree.

He had a local ‘landscape & tree’ company come out, and they agreed with him that there was a possibility the tree could come down in a storm (um, isn’t that pretty much true of all trees?).

So he decided to have it taken down (although I practically begged him to reconsider).  Since the pine tree that sits on the property line between our two houses was pretty lopsided after being overwhelmed by the giant tree and would surely look awful with that tree gone, he decided to have that one removed as well.

Last Monday the tree removal crew arrived with a giant crane.  They set it up in Ken’s front yard, and then lifted just one guy and his chain saw up and over the house and into the tree canopy.

He attached ropes to each huge limb before he cut it, and then the crane lifted it up and away.

Little did I realize that they were actually going to swing those giant limbs over our house!

I have to say, it was a bit unnerving to see limbs the size of full trees dangling in the air above our roof.

They then lowered them onto the street.

That’s just one limb!  There were probably about six or seven limbs that size that came off the tree.

There was a crew in the street that then cut them up and loaded them into a huge truck.

It was quite the production.

Once the dust cleared, I was horrified by the destruction.  OK, horrified is a strong word.  How about devasted?  Or maybe heart-broken?  Really, I was just simply sad.

Sad because that beautiful tree was no more.

It really didn’t help that it was a brilliantly sunny afternoon, and suddenly my once gloriously shaded backyard was blisteringly hot.  In addition, all of the more unsightly details, like the utility poles and the far neighbor’s giant pole barn were much more noticeable.

Although that tree was nearly 50 years old, maples can live from 100 to 300 years.  And as it turned out, it was perfectly healthy inside.  I suspect that tree would have easily outlived not only Ken, but Mr. Q and me as well.

On the bright side (pardon the pun), I now have a section of garden that will qualify as ‘full sun’.  I’m trying to see this as an opportunity to grow some of those flowering plants that have eluded me in my mostly shady garden.  I plan to re-work that flower bed next spring by adding some sun-loving plants.

I also decided to put in a hydrangea hedge along the property line where the pine tree was.  It will go from the end of my existing garden to meet up with the lilac hedge along the back.  I purchased six Quick Fire Fab hydrangeas to fill it.

Aren’t they gorgeous?  They have a similar growing habit to the Limelight hydrangeas that I love so much, but they bloom about a month earlier and the flowers start out white then turn a lovely blush pink, followed by a deeper pink by fall.

It will take several years before they get to their full height of 6′ to 8′ tall, but when they do get there I think they will be stunning.  Let’s hope I have better luck with this hedge than I did with those lilacs!

Before planting, I prepared the bed by adding some cow manure and tilling it into the top 6″ or so of soil.  OK, well, by “I” I really mean the super hardworking high school student that I hired to help me with the heavy lifting.  We then added some Espoma Bio-tone Starter to each hole as we planted the hydrangeas (this product is supposed to help the plant develop a strong root system to get established more quickly).  Once the shrubs were all in the ground, we mulched the bed with some black wood mulch.  I don’t like to use wood mulch on perennial beds, but I do like to use it under shrubs.  It reduces weeding, helps retain moisture, and that black color really makes the plants pop.

The sight of that row of gorgeous hydrangeas has cheered me up a little, but I have to admit that the loss of that shade tree has really thrown me.  I know, it was just a tree.  There are so many more important things in life.  I’m trying hard to embrace the change, but I’m really going to miss that tree.

it feels like cheating.

Today’s toolbox makeover is really mostly a repeat of a couple I’ve done in the past.  And in fact, it’s such a simple formula, it kinda feels like I’m cheating.

I really debated even sharing it here on the blog, but I didn’t have anything else to share this week so I decided to just go for it.

Here is the ‘before’, a basic grey toolbox.

I gave it my usual prep.  Washing with Dawn dish soap and the garden hose, a light scuff sanding, and then a coat of Dixie Belle’s Bonding Boss to prevent stains from bleeding through my paint and to improve paint adhesion.

Next up I painted the interior in Dixie Belle’s Cottage Door.

I just love this color.  I’m much more drawn to the warmer short of coral/pink shades rather than the cooler pinks these days.

I added a simple Classic Vintage Label transfer from re.design with prima inside the lid.

I painted the outside in DB’s Drop Cloth.  Once dry, I sanded lightly to distress the edges and after wiping away any dust I applied 1/4 of I.O.D.’s Elysium transfer.

This transfer comes on 4 sheets (as you can see above) and costs around $30.  So I’m spending $7.50 for the portion used on this project, which isn’t too bad.

One thing to note about this transfer is that there is some newsprint writing in the background.  See it there on the left?  Just be sure you are getting that right side up on your project.

To keep the application process simple for myself, I cut the section to fit below the bump out on the toolbox and applied that first.  The I trimmed off the section that would fit to the right of the latch and added it next.  Finally, I added the section to the left of the latch.

If you look closely, you can see where I didn’t get those two top halves to meet perfectly in the middle below the latch.  I don’t think anyone is going to notice that flaw unless I point it out though.

As you can also see, I added a small crown from one of the knob transfers from re.design with prima to the latch.

Although some of the florals from the Elysium transfer did wrap up and over the top of the toolbox, I felt like it needed just a bit more.  So I added some old Tim Holtz numbers in one corner …

and a tiny bit of the I.O.D. Label Ephemera transfer to the other corner.

I think those two simple additions really helped balance out the top of the toolbox.

After finishing everything off with a coat of clear wax, that was it.  Couldn’t have been simpler.

If any of you locals are in need of a pretty floral toolbox, this one is for sale.  Check out my ‘available for local sale‘ page for more details.

the northern grown toolbox.

It’s time for another toolbox makeover.

This time it’s one that I purchased at an occasional sale, and to be honest I paid more for it than I normally would.  Mainly because I thought it had a ton of potential.

After my usual prep of cleaning, scuff sanding and coating with Dixie Belle’s Bonding Boss inside and out (to prevent rust bleed thru, and improve adhesion), I painted the interior of this one in DB’s Guacamole.

Next up I painted the outside in my usual Drop Cloth.

I did think about switching it up a bit, but in the end I felt like the transfer that I was planning to use would look great over that warm white.

I especially wanted to make sure that the “Northern Grown Seeds” wording would pop.

That bit of transfer is from the Seed Catalogue transfer from I.O.D.  I thought it was rather apropos for me since it says “St. Paul, Minn” on it.

That’s kind of fun, isn’t it (because I live in a suburb of St. Paul, in case you didn’t know).

That smaller Seed Catalogue transfer looked just a bit lonely on this larger toolbox, so I pulled out the I.O.D. Collage de Fleurs transfers.  There are several large roses in that set with the right shade of deep red.

I also added some of the ivy from that set.

Next I applied some knob transfers from re.design with prima to the latches.

The florals on this toolbox definitely have a bolder look than those I normally choose.

But they totally work, especially since I left the original red paint on the handle.

There’s just something about that kinda wonky looking handle, and the rather off-kilter latches, that really gives this toolbox a handmade feel.

I think it’s absolutely charming now, what do you think?  Leave a comment and let me know.

This toolbox is for sale, check out my ‘available for local sale‘ page for more details.

P.S.  I’ve staged my photos for this post in front of a row of gorgeous Quick Fire Fab hydrangeas.  That’s foreshadowing for an upcoming ‘sunday morning in the garden’ post, so be sure to stay tuned for that.

As always, thank you to Dixie Belle Paint Co for supplying their products used in this makeover.

to plant a garden.

Good morning from the garden!

This morning I thought I would update you on a few of the garden projects that I’ve shared in the past.  These are mostly projects that have taken 3 or more (in one case, many more) years to come to fruition.

As Audrey Hepburn supposedly said, to plant a garden is to believe in tomorrow.  Gardening is rarely an instant gratification sort of endeavor, that’s for sure.

If you’ve been following me for a few years you may remember that I attempted to plant a lilac hedge back in 2011.  OMG, that means it was 13 years ago.  So yeah, this one has required A LOT of patience.

I initially planted a row of the fancy hybrid type lilacs and after 5 years it looked like this …

Wow, that’s embarassing, isn’t it?  What a straggly mess.

The flowers were gorgeous.

But the hedge wasn’t providing any sort of privacy along our back property line, and it certainly didn’t look good, even when in full flower.

Over the next several years I pulled out those fancy lilacs one or two at a time and replaced them.  At first I replaced a couple of them with common lilacs.

The common lilacs have performed beautifully and are now at least 12′ tall and doing the job they were meant to do.

We can no longer see our neighbor’s son’s fishing boat from our back dining room window.

But the flowers on the common lilac just aren’t terribly exciting.

So over the past two years I have gone back to putting in the fancy hybrids (because I never learn).  This time around I gave them a little winter protection from the rabbits though, and that seemed to help quite a bit.

And Mr. Q has been really careful not to spray them with weed killer, instead we are hand pulling the creeping charlie that keeps threatening to take over from the neighbor’s yard (I don’t blame her for not tackling them on her side, she is elderly and has a bad hip, she used to have beautiful gardens and lawn but she has had to let them go).

So far so good with the two newest lilacs, although they need to put on quite a bit more height before the hedge looks more uniform.

However, I’m once again having mixed results with the the hybrids at the other end of the hedge.  They started out looking great this year, but currently a couple of them look a bit sickly.

I’m going to try a couple of things, and then wait and see how they look next year.  However, in the end I may have to pull out a couple more and replace them with those boring common lilacs.

In the meantime, I’ve begun another experiment with this hedge.  I planted three clematis at the base of the lilacs.  They should wind their way up the branches and eventually provide some additional interest after the lilacs themselves bloom early in the season.

Once again, we’ll have to wait and see if that works out.

My goal with this hedge was to provide a natural barrier, but not add a lot of extra maintenance.  So I wasn’t going for a neatly trimmed hedge.  The proper way to prune a lilac is to remove approximately 1/3 of the stems all the way to the ground.  In other words, you’re not supposed to just shear the top off to create a uniform height throughout like you would with a more formal hedge.  If you want that sort of look, I wouldn’t choose lilacs.

My next experiment in the garden was planting a Golden Shadows Pagoda Dogwood in the fern bed in 2022.

The Pagoda Dogwood is an understory tree that will grow in partial shade.  Mine, however, is planted in nearly full shade.  For that reason I really wasn’t sure if it would thrive in this spot.

But it is looking really good this year, and I can finally see it peeking out above the ferns.

I suspect it will be another several years at least before it starts to look like I want it to, so I’ll just have to continue to be patient on that one.

Next up is another experiment, this time with planting a shrub in the shade garden.  I planted a Morden Golden Glow Elderberry in 2021.

This is another one that will grow in partial shade, but I planted it in what would probably be considered full shade.  It does get some late evening sun though.

It is growing somewhat slowly, I’m guessing that’s due to the shade.  The full height range for this plant is 4′ to 5′, but I’d rather it stay on the smaller end.

So far, so good.

Last up I thought I’d share a plant that hasn’t required much patience.  You may remember that last summer I went on the St. Anthony Park garden tour and discovered a trendy plant that everyone seemed to be growing.

This plant has a lot of names.  You can call it Aralia cordata, or ‘Sun King’ Golden Japanese Spikenard.  I just call mine Spike.

Spike is loving life in this nearly full shade spot.  In fact, he’s crowding out a couple of neighboring plants that I’m going to have to now move elsewhere.  But that’s OK, I think this plant is gorgeous and worth the space.

Now, how about you?  Do you have any long-term planting projects like my lilac hedge?  Or maybe a favorite trendy new plant that looks great in year one?  Leave a comment and let me know.

a french fairytale cabinet.

Recently my neighbor’s parents (a.k.a. my adopted family) were cleaning out a storage area and came across a couple of items that they thought I might like to revamp.

The first is this little cupboard.

They were guessing that it was some sort of shoe shine cabinet because it seemed to come with that brass foot plate thingie.

And it also originally had a hinged lid, which would have made it easier to access the contents of the box.

However, that being said, I couldn’t find any holes on that lid where the brass shoe plate would have been attached.  I also didn’t see any signs of shoe polish inside the cupboard.  I’ve revamped a couple of shoe shine boxes in the past, and they always have remnants of shoe polish on them (check out this one, and this one).

So I’m betting this little cabinet was used for something else.  Maybe to hold knitting supplies?  Or sewing stuff?  Any guesses?

Whatever it was, I decided to give it a new look with some paint and another of the new I.O.D. transfers called Fairytale Florals.

I started with the decision to glue the once-hinged top section on (so the top is no longer hinged).  Then I scuff sanded and gave it a good cleaning.

I then painted the interior of the cabinet in Dixie Belle’s Silk All-in-One paint in a color called Serenity.  This color has that French blue sort of vibe.

I chose to use the Silk paint because it has a built in top coat, so I would only have to slap on two coats of paint and that’s it.  It was a bit tricky getting a brush inside that cupboard.

Next I added two coats of DB’s Drop Cloth to the outside of the cabinet.  Once dry, I sanded the edges to distress the piece.

Next it was ready for transfers.

I added this pretty blue floral to the top.

Then I added a row of florals above and below the door on the front, along with that wreath-like detail on the door itself.

That wreath came with a sweet little crown that sat above it, but it didn’t fit on my door with the wreath so I cut it off.  Hopefully I’ll find something else to use it on down the road.

I finished the cabinet off with some of Dixie Belle’s clear wax to protect the Chalk Mineral paint on the exterior, as well as the transfers.

I was curious about the word ‘lille’, so I googled it and found the mark for Lille porcelain.

According to worthpoint.com, porcelain was produced in the 1700’s in Lille which was then in Flanders, but now is part of France.  Certainly that mark was the inspiration for the transfer design.

My little French fairytale cabinet turned out pretty sweet I think.

What do you think?  And what would you keep inside this little cupboard?  Leave a comment and let me know.

Now, as for that 2nd item I received …

That one is going to take a bit more work!

In the meantime, if any of my local readers are in need of a French fairytale cupboard, be sure to check my ‘available for local sale’ page for more details.

Thank you to Dixie Belle Paint Co for providing their products used in this makeover.

a sweet little hutch.

Remember the mini hutch (sideboard?  buffet?  dresser?  what would you call it?) that was very generously gifted to me at my sale?

I’ve given it a bit of a makeover.

First, the prep.  I began by filling in those circle details on the door fronts using Dixie Belle’s white Mud.  I knew I wanted to use some transfers on those doors and the circles would just be in the way.  Once the Mud was dry, I sanded everything smooth and then, after taping off the mirror, I gave it a quick spray with Rust-Oleum matte sealer.  I could have brushed on the Dixie Belle Bonding Boss, but it was easier to just give it a quick spray.

Next I painted the piece with two coats of Dixie Belle’s Drop Cloth.  After distressing the paint job a bit by sanding the edges to give it some age, it was time for the fun part.

I started by adding some roses from the I.O.D. Rose Botanical transfer.

This set of transfers has roses in different sizes and the smallest ones were perfect for this little hutch.  I added them to that backsplash bit, and also on either side of the front.

Once the roses were in place, I pulled out the Vintage Post transfer from Dixie Belle.  I selected some of the typography from it and added it to the front of the hutch.

It fit perfectly.

Then I used some pretty scrapbook paper to line the drawer.

After finishing it all off with a coat of Dixie Belle’s clear wax on the outside, I staged it up with a miniature camera and a tiny little ironstone pitcher.

I think it turned out pretty sweet.

What do you think?

This sweet little hutch is for sale.  Check out my ‘available for local sale‘ page for more details.

Thank you to Dixie Belle Paint Co for providing their products used in this makeover.

this year’s pots, 2024 edition.

Good morning from the garden!

This morning I thought I would share a mid-summer update on my container plantings.

I can’t remember if I mentioned this in an earlier post or not, but this year I chose to focus on plants with interesting foliage, like these absolutely gorgeous rex begonias, rather than plants grown for showy flowers.

The main reason for this is that I just don’t have enough full-sun locations in my garden to get good results with most flowering annuals like petunias, geraniums, lantana, etc.

That’s why I planted up my rusty urns with some dwarf alberta spruce spirals underplanted with some simple variegated ivy.

I’m quite happy with the results so far.  The spirals are starting to get a little shaggy, so I’m going to have to bite the bullet and prune them soon (I’m a little nervous about getting the shape right).  The ivy has filled in beautifully as well.

Other than that eventual pruning, these have required little to no maintenance all summer.  We’ve gotten so much rain that I have barely even needed to water them.

I also chose to rely on colorful foliage in both of my galvanized boiler window boxes (there is one on the carriage house and one on the potting shed).

The one on the carriage house is mainly taken up by two very vigorous annuals, Lemon Coral sedum and Blackie potato vine.  I did originally have a Lime Marmalade heuchera behind that potato vine, but it was totally being smothered.  So I pulled it out and planted it in the ground.

The other boiler window box contains a Charmed Wine oxalis, a ColorBlaze Mini Me Chartreuse coleus, another Lemon Coral sedum and a burgundy colored rex begonia that I don’t know the name of …

and that colorful plant shooting out of the left side is Autumnale fuschia.

Technically this fuschia is supposed to produce blooms, but it is really grown for its foliage rather than its flowers.  I’m fairly sure that mine has not bloomed even once.  Possibly because I’m not really fertilizing these containers like I would for blooming plants.

My bed frame planter is situated in nearly full shade.  It gets a very brief hit of sun in the early morning hours and that’s about it.  I kept it simple this year with a couple of huge ferns that I purchased at Home Depot, a bunch of caladium, and another Blackie potato vine.

If you look at the potato vine, you can see that I have a lot of insect damage.  I’ve had a massive infestation of earwigs this year, I suspect because it has been so wet.  They’ve done a ton of damage, especially to my hostas, coleus, brunnera and potato vines.

Fortunately they don’t seem to enjoy caladium.

Speaking of which, it has only been recently that the caladium has really taken off.  Caladium like hot, humid weather and we’ve just not had enough heat for it to thrive up until now.

I purchased this caladium at Home Depot in mid-June.  As you’ll read in a moment, I have other caladium that I purchased earlier in the spring, and spent a bit more money on, that is not doing nearly as well as this one.

I didn’t strictly stick to non-flowering plants this year.  I have a trio of rusty urns that I filled with Rockapulco Appleblossom impatiens …

and a pretty pale pink and white upright fuschia (sorry, I didn’t make a note of the name of that one).

But they also include a fair amount of non-flowering stuff like the Creeping Jenny, a Plum Pudding heuchera and another caladium.

As you can see, the caladium is looking less than stellar in these pots.  That’s the caladium that I planted much earlier in the season.  I think our cool spring weather really knocks it back a bit.  Caladium is happier spending a little more time in a greenhouse before being planted out in Minnesota.

I’ve definitely saved the best for last today.  I am really happy with the results in my front window box this year.  You may remember that I considered last year’s front window box a bit of a fail.   So this year I went in a different direction.

When I planted this one up I called it a ‘black and white’ combination.

For the ‘white’ elements, I used white New Guinea impatiens and Proven Winner’s Superbena Whiteout.

Considering that this window box faces northwest and thus gets mostly shade with a couple of hours of evening sun, that verbena is performing quite nicely I think.

I also included the Proven Winner’s Diamond Snow euphorbia.

The Diamond Snow is supposed to be more compact than the Diamond Frost variety, and I can verify that is true (as you can see for yourself above left).

You can also see my non-flowering white element (above right), a white caladium.  The white New Guinea impatiens (above center) are not performing as well as I would like them to, but I just gave them a shot of fertilizer so hopefully they will put on some more blooms soon.

For the ‘black’ elements in my window box I used plants with a deep, dark purple color like the Blackie potato vine, and the Charmed Wine oxalis.

I also included a ‘black’ coleus, but I’m not precisely sure what variety it is.  Possibly Black Coral.

But the real stars of the show in the front window box this year are those gorgeous rex begonias.

I really wasn’t sure how well these would perform for me.  To be honest, I’ve never done well with begonias in the past.  I tend to overwater them causing the crown of the plant to rot.  In fact, I also planted some tuberous begonias this year and they did in fact rot.

But the begonias in this front window box are stunning.

Despite our super rainy weather.  I don’t think I’ve watered this box more than once or twice so far.

My plan is to try to overwinter these begonias this year, and I may try some propagation experiments with them as well.  I’d love to have even more of them next year!

Overall I’m very happy with my decision to focus more on interesting foliage rather than flowers in my containers this year.  But how about you?  Do you prefer to have an abundance of blooming annuals instead?  Leave a comment and let me know.

practice makes perfect.

I know I’m not alone in wishing that I.O.D. would release another typography transfer similar to their retired Label Ephemera.  But so far we are left wanting.

Rather than complain about it though, I’m on a quest to come up with other options and that brings me to the new I.O.D. stamp set called Ephemeral Type.

There is some fantastic typography included with this decor stamp.  I’m especially drawn to that Flore Française section at the bottom left.

Unfortunately, my stamping skills are somewhat lacking.  But as they say, practice makes perfect.  So maybe I just need to get practicing.

I ordered the stamps and then looked around for some guinea pigs.

I painted up these books back in February 2018 …

Good gracious, that was over six years ago.  Time flies.

I’d been using them as decor in my own house, and they were ready for a refresh.

I started by painting over them with a couple of coats of Dixie Belle’s Drop Cloth.  Then I pulled out the Ephemeral Type stamps and some Versafine Clair ink.  One of my readers recommended this ink to me the last time I tried to work with stamps.

Now, I’ve watched quite a few YouTube videos where creators just pull the stamp off the backing sheet, add ink, and then carefully pop it onto their surface, gently press all over it and voila.  The perfect image.

Yeah, it didn’t quite work out that way for me.  Here is my first attempt.

It’s a bit of a mess.  Luckily, I can just paint back over this book cover and try again.

Maybe with enough practice over time I could get better at that technique.  But for now, I think I need to stick with using an acrylic block to apply my stamps.

You can buy these blocks in different sizes at any craft store.  The I.O.D. stamps cling to them quite nicely, and then peel right back off when you’re done using it.

Using the block makes it easier to keep the stamp from wiggling around.

Here is my 2nd attempt at stamping on a book cover, this time using the block.

So much better!  I just applied a tiny bit too much pressure on the far right.

I went back and tried the larger stamp using the block as well.

So much better.

There is a downside to using a block, you have to be stamping onto a fairly flat surface.  It’s a bit tricky to try and maneuver a block around a corner or over a curve.

I was able to make it work on the spines of the books using a smaller stamp.

I carefully rolled the stamp just a bit as I lightly pressed it onto the spine, giving me a pretty good result.

Maybe over time, with a bit more practice, I can get good at stamping without a block.  Or, maybe I’ll just stick with using one because the results are a little more predictable.

Either way, I’m hoping to get some good use out of this stamp set.

As for the books, I finished them off with some of the Rose Botanical transfers from I.O.D.

I’m definitely going to need to order some more of them, I absolutely love them.

The wording on the spines of the books is also from the Rose Botanical transfer set.

Oh, one last thing.  About that Versafine Clair ink.  I did have some issues with it smearing.  You can see that on the left side of the round medallion stamp at the bottom of the book with the pink roses.  I found that I had to let the ink dry for several hours before applying the transfers over it.  I do have some of the I.O.D. ink around here somewhere (I think).  I’m going to have to dig that out and see if it works better.

In the meantime, I’ll touch up that little smear with some paint.  Just to be on the safe side, I’m also planning to seal these with the RustOleum matte spray sealer to avoid any further smearing.

All in all, I’m fairly happy with how the books turned out.  I do need to get in some more practice with stamps though, so stay tuned to see what else I can come up with.

In the meantime, are any of you expert stampers?  Feel free to give me some tips in the comments!

these might not be for me.

I really, really wanted to like the new gilded transfers from I.O.D.

I ordered the one called Étiquettes, because it has all of that fabulous typography.  I mean, just look at it.  It should be right up my alley.  The designs themselves are fantastic.  And wouldn’t these be a great addition to some of my toolboxes?

The gilded transfers are a little bit different than your typical transfer.  So after watching a handful of YouTube videos on how to apply one, I pulled out a small terracotta pot and painted it black using Dixie Belle’s Anchor for a test run.

One difference with these transfers is that the entire sheet is opaque.

That makes it a little trickier to place because you can’t see what’s under it, and the usual grid lines have been eliminated.  It’s also quite a bit trickier to tell whether your transfer is fully adhered without lifting it up to check behind the backing sheet.  In addition, if you rub too hard on the non-transfer part of the sheet it can also rub off onto your project.

So I would say that the application process is a bit more difficult than with a non-metallic transfer.

In addition, the result with a gilded transfer is just not as crisp looking as your typical black (or blue, or white) transfer.  For example, the roses on the transfer I used just look like blobs to me.

I also really struggled to get the smallest details to transfer.  In this case there was some small writing above the word ‘PARIS’ that I simply couldn’t get to transfer no matter how much I rubbed.  I barely even got the ‘PARIS’ to transfer.

One tip from the videos I watched is to make sure that your paint is absolutely fully dry before applying these transfers.  I thought mine was fully dry, but it was a humid day and I only waited a couple of hours after painting before attempting the transfer.  As a result there were a couple of spots where the transfer pulled off the paint, rather than sticking to the paint.

I should have let my paint dry overnight, so that’s my fault.  If you’re going to attempt these gilded transfers, be sure to give your project plenty of dry time first.

OK, so I will be the first to admit that I’m a bit of a perfectionist.  I like a crisp result, and you get that with black transfers, even if they are really, really  small.

So the results I got with the gilded transfer just aren’t cutting it for me.

Even without my mistake of not letting the paint dry fully, I wouldn’t be happy with this result.

Back in early 2019 re.design with prima tried to create a gold leaf look with their adhesive transfers paired with their decor foils and I have to admit I didn’t like that look either.  I think I used them once and then never went back to them again.

In the end, maybe it’s just that the gold leaf look isn’t for me.  It’s simply too shiny for my taste.  If you’ve followed me for long, you know I’m just not a fan of super shiny things.  And these are very shiny, almost mirror-like.

If a super shiny look is what you’re going for, you might really love the gilded transfers.

I was hoping for a more muted look though, similar to other more matte gold transfers that I’ve used, such as the Flower Collector transfer from re.design with prima.

Or re.design’s Somewhere in France transfer.

In the end, what I’m really hoping for in a transfer is a fabulous new collection of typography in black that I can use on small projects.  Is that too much to ask for?

In the meantime, I haven’t entirely given up on the gilded transfers.  I’ll go back to the drawing board and practice with them a bit more and see if they grow on me.  As I often say, never say never.  A year from now I may decide that I love them, you never know.

Have any of you tried these new transfers?  And if so, what did you think of them.  I’d love to hear from you so be sure to leave a comment.

the international friendship garden.

Good morning from the garden!

Once again, this morning’s post doesn’t come from my own garden.  If you read my recent post about our road trip to La Crosse, Wisconsin, you may remember that I promised I’d share the surprise from behind the lovely hotel we stayed in, Hatchery.

When we booked our room, I had no idea that the Riverside International Friendship Gardens surrounded the side and back of our hotel.

Had I known, I would have booked even faster!

Apparently La Crosse has seven sister cities.  For those of you who might not have heard of sister cities, here is the definition from Wikipedia:  A sister city or a twin town relationship is a form of legal or social agreement between two geographically and politically distinct localities for the purpose of promoting cultural and commercial ties.

For La Crosse those seven sisters are located in China, Germany, France, Norway, Russia, Ireland and Cameroon.  There are 7 sections to the International Friendship Garden, each meant to represent one of the sister cities.

Let’s start in the Chinese Garden.

You enter this garden through a dragon gate to find a lovely koi pond.

La Crosse’s sister city in China is Luoyang and the garden brochure calls it the ‘city of peonies’, but unfortunately July isn’t peony season.

But the garden was still beautiful.

Next up was the French Garden.  The sister city of Épinal, France was the inspiration for this formal garden with its knot garden and formally trimmed shrubbery.

This was definitely my favorite section, I just love a formal garden with urns and fountains.

There was even a mini hedge maze.

La Crosse’s sister city in Norway is Førde, and it is located in the waterfall region.  The Norway section of the garden has not just one, but two waterfalls.

Here is the second …

The Norwegian garden also features seven ‘hidden’ trolls, although they weren’t terribly hidden.

La Crosse’s German sister city is Friedberg.  This section of the garden contains a lovely pergola with a climbing hydrangea, unfortunately not in bloom while we were visiting.

I loved this bench with its winged lions for support.

The Russian garden has this beautiful pavilion, or besedka.

It is a replica of one on the banks of the Volga River in Dubna, the sister city in Russia.

We just happened to catch it in the most beautiful evening light as it was nearing sunset.

Three rivers come together in La Crosse, the Mississippi, the Black and the La Crosse, so I’m not precisely sure which river is directly behind that besedka.  I just had to grab a photo showing how high the water is this year.

We’ve gotten so much rain.

The mill wheel in the Irish Garden was copied from one in Bantry, the Irish sister city.

It totally reminded me of one we saw in Prague.

Lastly, we have the Cameroon Garden.  Kumbo is the sister city in Cameroon.  This garden contains the Mami Wata, an Africian water spirit, fountain.

I was so impressed by the Riverside International Friendship Gardens.  They were beautifully designed and maintained.  Each section felt very different, and totally reminded me of the country being represented.

I mentioned that the French Garden, with its formality, was my favorite.  Which garden would you pick as a favorite?  Leave a comment and let me know.

And if you ever happen to be in La Crosse, Wisconsin be sure to check out this gem of spot.  It is located at the north end of Riverside Park.