the do-over with a twist.

I’ve posted my share of do-overs here on the blog, pieces that didn’t sell for whatever reason and thus they get a 2nd makeover.  But today’s post is a do-over with a twist.

I came across an ad for a dresser on Facebook Marketplace recently, and here’s the picture that was included in the ad.

If you’ve been following me since 2017, this might look familiar to you.  It sure looked familiar to me!  I painted, and then sold, this one five years ago.

It always startles me a bit when I see my pieces being re-sold.  This isn’t the first time it has happened, but this is the first time that I decided to go ahead and buy it back!  The price was right, and I had a pretty good idea what the condition of the dresser would be (assuming the new owners hadn’t done significant damage in five years).  In addition, I knew that I had painted it in Fusion Mineral Paint, and therefore it would be fairly easy to paint over it.

Just for fun, here is what this dresser looked like when I originally purchased it.

And if you go back and read that original post, Ken did a fair amount of repair work on this piece before I ever got around to painting it.  Plus I replaced all of those knobs with pretty glass.  So why let all of that go to waste?

So I bought it back.

This time around I decided to ditch the mirror completely.  Last time I shared photos of the dresser with and without the mirror, but included it with the dresser to be used at the new owner’s discretion.  To be honest, I never really liked the way the mirror looked though so I separated the arms that held the mirror from the trim piece at the back.

I’ll do something with the mirror on its own down the road.

Next I just gave the entire piece a scuff sand and a good cleaning, and then repainted it in a custom mix of Dixie Belle Silk paint.

This mix is probably about 3/4 Tide Pool to 1/4 Hampton Olive.  I just mixed a little of the Hampton Olive at a time into the Tide Pool until the color felt right to me.

The Hampton Olive tones down the brightness of the Tide Pool just a bit, and adds a little more green to the mix as well.

I have to apologize, I struggled to capture this color accurately in my photos.  White balance can be a challenge sometimes, and this is one of those times.  Oddly enough, my camera did the best job of capturing the color in this close up photo of the gold frames.

But this is also one of those chameleon colors that changes with the light, and depending on what colors are next to it.

So I did my best.

One thing to always keep in mind when you are painting over pre-existing paint is that when you distress the edges you are going to see some of that original color.  So in the case of this dresser, that is going to include both the black and the white.  The white was more obvious than the black though, so I tried to distress very gently over the upper portion of the dresser that was white.

I’ve always loved the combination of this blue-green color with gold, so I decided to add a gold transfer to it.

These are all sections from re.design with prima’s Somewhere in France transfer.

It’s subtle, but I love that it added a bit of bling.

To continue with the gold, I added some gold gilding wax to the key holes as well.

So what do you think of this simple do-over with a twist?

Which is your favorite look?  No. 1, No. 2 or No. 3?

Be sure to leave me a comment and let me know.

This dresser is for sale, so if you are local and in need of a pretty dresser, be sure to check out my ‘available for local sale‘ page.

Thank you to Dixie Belle Paint Co. for supplying the paint used in this makeover!

elevating the ordinary.

My sister and I popped into one of our local garden centers (Gertens, for any of you locals wondering) a week or so after Christmas.  We just happened to be in the neighborhood, and thought maybe they’d have some Christmas stuff at a steep discount.

And sure enough, all of the Christmas stuff was 75% off.  I purchased some fun starburst lights that I’m going to use in the front window box next year, but I also found this large glass cloche in the Christmas section.  I have no clue why it was considered a Christmas item, do you guys have any guesses?

I know it’s hard to tell the size from that photo, but it’s about 16″ tall and a foot wide.  It was originally $79.99, but at 75% off I got it for around $20.

I couldn’t resist it.  You just gotta love a good cloche, right?

Once I got it home, I decided it needed a good base to go with it.  I happened to have some large wooden chargers that I received from re.design with prima back when I was a content creator for them.

The chargers come in three different sizes, 10″, 12″ and 14″   …

Back in early 2019, I had dressed these up with some paint and transfers.

I sent them in to the shop to sell, but only the top one went.  That, by the way, is the French Ceramics transfer that re.design with prima recently re-released because it was in such demand.  It is fab, isn’t it?

The bottom two eventually came back home with me and have been awaiting a do-over.  The largest one happened to be just the right size for this cloche.

So I sanded down the transfer a bit first.  Not enough to remove it completely, but just enough to smooth out any edges that would show through paint.  Then I painted over it with Dixie Belle’s Drop Cloth.  Once that was fully dry, I pulled out my IOD Brocante transfers.

I think you’ll probably agree that there was an obvious choice staring me in the face.  Yep, the clock.

The clock was literally the same exact diameter as my new cloche.

It was about at this point that I realized that putting anything on the charger, inside the cloche, was basically just going to cover up that cool clock.  Duh.

Well, no worries.  I gave it a shot and decided I like the look after all.

No, you can’t see all of the clock, but you can see that it’s there.

Somehow putting even the most ordinary items inside a cloche elevates them to something special.

For now I’ve got some books, a vintage camera and an old photo of my grandmother on display.

Do you have any cloches?  And if so, what’s under yours?

a british bird cage.

As I mentioned last week, I’m actually off visiting my mom in Las Vegas this week!  But not to worry, I have scheduled a few posts in advance, just to keep you company while I’m gone.

I went thrifting with my picker/ex co-worker/friend Sue last week and one of the items I came home with was this giant bird cage.

I’m not sure if you can judge the size of that thing in that photo, but it is about 40″ tall and 18″ wide and deep.

I think the best thing about it is that it comes apart easily.

So, not only easy to transport, but easy to fill the inside with whatever you want to put in there.  A pretty fern?  Some books?  Some sweet concrete birds?

Just don’t plan on putting a live bird in there, this thing is for décor purposes only.

I love all of the layers.  Maybe simply because it reminds me of a big wedding cake, and I could really go for some cake right now.

Of course I had to give it a little bit of quandification.

I lined the pull out tray with some Cavallini London map paper.

Then I added just the smallest bit of wording above each of the doors.

Are you sensing a bit of a theme here?

The transferred words and date are both from IOD’s Label Ephemera transfer.

How fun would it be to add different things inside for each season?

This cage is really too large for my small house, but for someone with larger rooms it would be fantastic.

So, if any of you locals are interested, yes, this slightly British bird cage is for sale ($48).  Send me a quick email at qisforquandie@gmail.com or leave a comment on this post if you are interested and we can set something up for when I return from my mom’s house.  And if no one calls dibs by the time I get back, I’ll be taking this one in to Reclaiming Beautiful.

What do you think?  Do you need a British bird cage?

a little less factory.

A while back my picker found this little cupboard for me.

I have to say, I’m pretty sure that she has a lot more faith in my abilities than I do sometimes.

This is a new-ish piece made out of that factory coated, shiny, particle board stuff.  I really wasn’t sure I’d be able to do anything with it, so it sat out in the carriage house for months.  But I pulled it out a couple of weeks ago and decided to give it a go, with my main goal being to make this cupboard look a little less factory-made.

After removing the knob, I sanded all of the surfaces inside and out to take off a little of the shine, and then gave it two coats of Dixie Belle’s Slick Stick.  As per the Dixie Belle website, “Slick Stick allows you to paint shiny, slick, or slippery surfaces with ease. Surfaces like PVC, glass, Formica, laminate, metal, and more are easily painted and stay painted.”

Next up I painted the inside of the cupboard in Dixie Belle’s Kudzu.

I just love that green!  This is the color that I debated using on the washstand that I shared on Wednesday.  I decided against it for that piece, but I had to use it on something!  It’s gorgeous paired with the Dixie Belle Drop Cloth that I used on the exterior of the cupboard.

I dug through my stash to find a substitute handle that felt a little more vintage to me.  I painted that in an undercoat of Kudzu, followed by a couple of coats of Drop Cloth.

I think this handle goes a long way towards making this cupboard feel more vintage and less ‘factory’.  It’s a vast improvement over that dinky little wood knob it came with.

Ditto the gold transfers that I added to the glass.

These are from a mish mash of re.design with prima transfers.  I used left over bits from Flower Collector, Cosmic Roses, and the bee is from their Gilded Home & Nature transfer.

This cupboard can be hung on the wall, or set upon a shelf, desk or table somewhere.  It would be perfect for housing some of my matte white pottery.

But I’m not keeping this one.

It is up for grabs to a local buyer, so be sure to check out my ‘available for local sale‘ page if interested.

Tell me, what would you display inside this cabinet?

the “not from the 70’s” washstand.

If you’ve followed me for long, you know that I love working on washstands.

These pieces make perfect bedside tables.  And really, they are very versatile.  You can also use them in a foyer, next to the sofa, between two chairs, in the kitchen, add a vessel sink and use it in the bathroom, and on and on.

So when I saw this washstand on Facebook Marketplace I jumped at it.

I think the ad had been up for 27 minutes when I responded.  Lately it seems like I have to be quick to be the first in line.  I inquired on five pieces last week, and I was only able to purchase two of them (you’ll see the other one down the road a bit).  There are plenty of these out there that aren’t selling quickly, but they are the ones priced at over $100, even as high as $200 or $250.  When pieces are in my price range (as this one was), they go fast.

Anyway, the person selling this was not terribly knowledgeable about furniture.  It was listed as “table, with drawers, likely 70’s built”.  Hmmmm.  Not exactly.

I remember the 70’s, and this is not what they looked like.

I wouldn’t exactly call it a table either.  However, it does have drawers.  I feel fairly sure he was looking at those drawer pulls when he decided this was from the 70’s.  In fact, I am betting that the previous owners refinished this piece in the 70’s and added those pulls at that time.  As I cleaned it, I found telltale traces of paint.  So I know that at some point this piece had been painted, and then stripped and refinished.  Don’t you love it when these things go full circle?  Possibly multiple times.  Perhaps 50 years from now someone will strip my paint back off again.

I also love it when these pieces have their original labels on the back.

I like to do a little google research when I have this sort of info, and I discovered that Crescent Furniture Co from Evansville, Indiana went out of business in 1939.  So that reinforces my opinion that this piece was not built in the 70’s.

My first task was to figure out what to do about hardware.  I knew those 70’s colonial style pulls had to go.  So I dug through my stash and came up with a pair of pulls with the right look for this piece.  I wish I had four of them, but I only had three.  So I put two of them on the top drawer and then filled the holes on the other two drawers.

I found three wood knobs in my stash for those two drawers and the door.

After coming up with the hardware, I decided to sand down the top to see if I could go with a lime waxed top.  This was made possibly by my acquisition of a FlexiPort Power Tool Hose Kit from Dust Right (I purchased mine at Rockler Woodworking and Hardware).  One of my favorite customers had told me about this kit (thanks again Susan!) which basically allows you to attach a hose between your hand held electric sander and your shop vac.  You run the vacuum while you use the sander and it sucks up all (well, most) of the dust.  I have to say, it works pretty slick and was only an investment of $34.99.  Now I can sand indoors in the winter, eureka!

I sanded off the original finish, and decided that this was the perfect candidate for a simple waxed finish.  Now, when I say ‘perfect’,  I don’t mean to imply that this wood top is now in perfect condition because it isn’t.

The person who refinished this in the 70’s left some pretty deep orbital sander marks in the top, and there were also some deep scratches.  But I’m OK with leaving those marks alone on a waxed solid wood top like this one.  I think they add character and age.  All I did for this top was sand off the old finish using 80 grit sandpaper, follow that up with some 220 grit paper, vacuum and wipe away any dust, and then rub in two coats of Fusion’s Lime Wax.

Today’s q tip:  when lime waxing (or white waxing), apply your wax by rubbing it on against the grain of the wood.  The wax will get worked into the grain giving you a lighter look.

By the way, sometimes I kind of cheat a little bit when I’m doing a stripped wood top like this with a painted base.  Rather than trying to strip the finish off the curved edge, I just paint right up to the flat top.

It can be a real pain to get the finish out of those crevices.  It’s so much easier to just paint that part, and I think it looks perfectly fine on the finished piece.

OK, so now that I had my hardware figured out, and my top situated, I was left with the decision of what color to paint the base.  I debated a lot of options.  Black?  Putty?  The night before I started painting, I went to bed having decided to paint it green.

But then in the clear light of morning I second guessed that decision.  Why?  Because I wasn’t sure green would sell well.  I wish I could say that marketability was never a consideration for me, and I always just go with my artistic vision, but that would be a lie.  I don’t have a lot of storage space for finished pieces, so I can’t have them sticking around for months on end.

So, I painted it in my go-to warm white, Dixie Belle’s Drop Cloth.  I did go out on a little bit of a limb on the inside though.  In a nod to the actual 70’s, I painted the interior of this washstand in a color from Dixie Belle’s new Silk Paint Desert Collection called Mojave (FYI – these colors are not available on the Dixie Belle website until February 9).

I have to admit, I never would have thought that I would paint something in this sort of goldenrod/dark mustard color.  Who else remembers the iconic Harvest Gold?  That screams 70’s to me.

But everything comes full circle eventually, including Harvest Gold.  Dixie Belle sent this color to me along with a few of the other new colors so I thought I’d give it a try.

And you know what?  I love it paired with the Drop Cloth.

The drawer bottoms of this piece had their share of unsightly stains, so I just went ahead and painted them all.

I really think this color is perfect for the interior of this washstand.

The beauty of the Silk paint line from Dixie Belle is that this paint has a built in primer and topcoat, so it’s perfect for interiors like this.  Two coats and you’re done.

You’ve probably already noticed that I added a transfer to the door on this piece.

This is from the IOD Label Ephemera transfer.

One last detail to note, I added vintage casters to this piece.

This washstand had clearly had casters at some time.  The caster sockets were still in place.  Luckily I had four matching wooden casters in my stash that fit perfectly.

Some pieces just look like they were meant to sit up on casters, while others clearly do not.  Who else remembers this dresser?

That one was definitely not meant to have casters, although it came with four of them.

But I think this piece was meant to have them.  The legs felt a wee bit squatty to me without them.

So what do you think?  I gave this one a little bit of the 70’s on the inside, but the outside remains neutral and firmly ensconced in the earlier part of the 20th century.

This washstand is for sale locally, so be sure to check my ‘available for local sale‘ page for more details if interested.

P.S.  Speaking of the Mojave, I realized recently that being retired means that I can travel whenever I want to.  My mom pointed out that it’s much warmer where she lives, and I was able to get an airline ticket using my frequent flyer miles and paying only the $12 tax.  So for less than what it would cost for dinner out, I’m going to visit my mom next week (she’s in Las Vegas, which is in the Mojave Desert, get it?).  So if any of you locals are interested in this one, be sure to reach out to me by Friday!

Thanks to Dixie Belle Paint Co for providing the paint used in this makeover.

the apothicaire bag.

Sometimes I make bad choices.  Like the time I thought that the underwater motor scooter excursion in St. Thomas would be super cool (not a good choice for someone who is a bit claustrophobic).  Or the time I decided to go through a red light at 2 a.m. because there was absolutely no one else on the road (except for that police car that I didn’t see half a block over).

And now I can add this attempted makeover to the list.

I purchased this bag from a friend of mine who had a really cool shop in an old round barn.

I’ve had it for several years and it sits on an uppermost shelf in our living room.  For some inane reason, I recently decided that it might look really cool painted in Dixie Belle’s Drop Cloth instead.  So I dusted it off and gave it a couple of coats.

I quickly realized that this was totally misguided.

Another coat of paint, some sanding and a topcoat of wax would have improved this look somewhat, but even so, I could see it wasn’t going to work.  Mainly because I didn’t want to paint the metal trim and handle.

I love the original patina on those and didn’t want to lose it.  But they totally looked wrong with the warm white paint color.

So obviously, the best way to salvage the situation was to just go back to the black.  So I pulled out Dixie Belle’s Caviar and painted back over the Drop Cloth.

Ahhhhh.  So much better already.

Then I picked a stencil out of my stash that I thought was appropriate for a bag and added that to the front using the Drop Cloth.

If this feels really familiar to you, it’s because I used this stencil on a black bag before.

Anyway, after adding the stencil, I added a coat of clear wax to the bag.

Then I tied a tag made out of an old family photo to the handle, just for fun.

I purposely did not distress the paint job because I didn’t want the white paint underneath to show at all.

And now I’ve returned the bag to its rightful spot on the top shelf in the living room.

Live and learn, right?

Have you ever made any bad decisions that you almost immediately regretted?

welcome to splitsville.

Everybody’s doing it.

It was only a matter of time before I jumped on the bandwagon.

I’m talking about taking a vanity/dressing table like this one and splitting it up into a pair of nightstands.

I don’t think there would be much of a market for this piece as is.  It didn’t even have a mirror with it (and I imagine it must have had one originally, right?).  With that step down in the middle, it really couldn’t have functioned as a writing desk.

I called Ken over to help me with the actual splitting.  That center section was held in place with pegs and glue (not screws), so he took a pragmatic approach and sawed right down the middle of that piece first using a reciprocating saw.  Then he was able to use a chisel and a hammer to break pieces free from their glue and pull them out of their pegs.  Then Mr. Q used our Porter Cable Oscillating Tool to cut the pegs off fairly level with the surface.  This process did a fair amount of damage to the veneered surface, but after some gluing, filling, and sanding I think those sides look pretty good after being painted.

I have to mention though, after completing my photo shoot, dismantling the whole set up and moving the nightstands into another area I realized that I photographed the better one.  The patched side of the other nightstand is not quite as smooth.

But how about that color?

That is Dixie Belle’s Burlap.  I recently decided that I should branch out and try some new neutral shades.  So I ordered this one, and also their Spanish Moss and Dried Sage.  I’m looking forward to testing out both of those colors too.  But in the meantime, boy is that Burlap pretty.

My original plan was to use some transfers on the fronts.  However, after going through all of my transfers, and studying the drawer pulls and how they were situated, I decided to rethink that plan.  So next I went through all of my stencils and discovered that this stencil from Jami Ray Vintage actually fit fairly perfectly around those pulls …

And part of another stencil from that set was perfect for the drawer.

Both of these are from their Crock Minis stencils.

They are super subtle, I know, but I think that’s part of their charm.

Speaking of the drawers, they didn’t really need to be lined but I had the perfect paper for them so I went ahead and did it anyway.

The bottom section of each side has a little shelf inside.  I just cleaned that interior up with some of Dixie Belle’s Big Mama’s Butta in Suzanne’s Garden (a floral, rather rose heavy, scent).

The feet on these pieces are pretty charming.

They were in pretty rough shape though.  Several of them have some chunks missing, a couple of them had split at some point and someone gave them a very sloppy repair job, and a couple still needed to be reglued.  I did what I could with them, and luckily paint hides a multitude of flaws.

I finished these pieces off with some clear wax on the sides and three coats of Dixie Belle clear coat in flat on the top.  Are  you curious why I chose to use different top coats?  Well, the clear coat is more durable than wax and since people tend to put water glasses on their nightstands (or coffee, if you like to read in bed with your first cup of coffee in the morning, oh, the simple pleasures of being retired!) I thought some durability was in order.  But I tend to struggle with drips when using clear coat on a vertical surface like the sides, so I went with wax there instead since the sides don’t need quite as much protection.  The combination of topcoats worked out quite well I think.

So after a bit of teamwork and some elbow grease, this vanity is now splitsville.

Actually, this isn’t the first time I’ve split up a vanity.  I did that once before back in 2017 and I learned a lot about using stamps over paint that time around.

You can revisit that post here.

Splitting this one was a definite improvement I think.

What do you think?

This pair of nightstands is for sale, so be sure to visit my ‘available for local sale‘ page if you’re interested in more details.

Thanks to Dixie Belle Paint Co for providing the products used for this project.

stylish storage solutions.

Today I’m sharing another quick and easy thrift store upgrade.  Unfortunately, I forgot to take a real ‘before’ photo.  Instead I grabbed a quick photo after paint, but before the remainder of the makeover.

Does that count?  Probably not really.

Well, suffice to say, this metal storage drawer box thingie was originally just a dark colored metal throughout.  I left the drawers unpainted, so you’ll see that original color in a minute.

I painted the outside of the box in Dixie Belle’s Sawmill Gravy first.  But it turned out that I didn’t like it in that color.  I felt like it was too stark of a contrast with the dark drawers.  So I then painted it in Dixie Belle’s Putty.  As a result, when I sanded to distress, you can see some of that Sawmill Gravy peeking through.  But that’s OK, in my opinion it just adds another layer of interest.

Next up I added a couple of designs from IOD’s new Brocante transfer to the top.

This is another set of transfers that are perfect for using on smalls.  I have to give my honest appraisal though, this one is probably not one that I will purchase again.  It leans a little bit more towards the florals rather than the words, and it’s also a bit pricier at around $40.

And you know I love me some typography.

You know what?  Maybe that’s not fair.  It really does have a good mix of everything.  Typography, florals, farmhouse animals, birds, bugs, and the Eiffel Tower is really cool (can’t wait to find something to use that on).  You do get a lot of bang for your 40 bucks.

So you be the judge.  You may absolutely love this one!

I’m sure that I will ultimately use almost every one of those designs on something, and I’ll probably have to eat my words at some point.

But back to the drawers.

They are perfect for storing craft supplies like distress ink and some paper ephemera.  They would be great for someone’s scrapbooking area.

One of these days I really need to get back to finishing up my index card scrapbook project.

Maybe if I run out of stuff to paint next week I’ll find time to work on it.

What would you store in these drawers?  And what are your thoughts on the Brocante transfer?  Are you a fan of more than just typography?  Leave me a comment and let me know!

talk is cheap, and so am I.

Some of you have wondered how I keep my prices so low when I use expensive transfers on pieces.  That got me thinking.  After all, I don’t disagree.  Transfers are not cheap.

But I am!  So if I’m making it work, maybe I should share the math on that with you guys.

One of the transfers that I get lots of use out of on my smalls is the IOD Label Ephemera transfer.  This one is actually retired (so disappointing), but you can still find it to buy (for now anyway).  I have to admit that I have 3 of these in my cupboard unopened, just in case they get hard to find!

It’s usually priced right around $30.  I get at least 10 projects out of this one transfer.

And often even more.

So that means that in the end, I’m spending $3 or less per piece.

Another transfer good for multiple projects is re.design with prima’s Classic Vintage Labels.

There are 27 separate labels, plus those two adorable bees.  So obviously this one goes far.

I have a couple of favorites from this set, like this one …

and this one …

Oh, and this one …

and then there is this one …

OK, I love quite a few of them.

  I have to admit that there are a couple of designs in the set that I don’t really like and tend not to use.  So in all, I probably get around 20 pieces out of each Classic Vintage Labels transfer that I purchase.  This one also retails for around $30, so I’m spending around $1.50 each.

Seriously, look how much personality I’m adding for $1.50!

Another one from re.design with prima that I’ve gotten many small projects out of is the Everyday Farmhouse transfer.

This one is awesome for just adding a little wording, especially if you like that farmhouse vibe.

You can get at least 20 projects out of this one.

It has a couple of designs that are sized just right for buckets.

The Everyday Farmhouse transfer also retails at around $30, so again, if you can get 20 items out of it, that’s about $1.50 each.

Last week I posted about the various IOD Pot transfers, those are also good for getting lots of projects out of one transfer.

You can also find this set online for around $30 (although some places charge more, so be sure to shop around).  This one has 32 designs, so even less than $1 each!

All of this being said, on occasion I do really splurge like I did on this fabulous toolbox.

Although I only used half of it, this IOD transfer (June, Ode to Henry Fletcher) was also $30.  So the half I used was a $15 expenditure (I’ll be able to use the other half on a future project).  But I was able to sell this toolbox priced accordingly (for $65), so it was worth it.

And then sometimes you just have to go all out!

That’s re.design with prima’s Parisian Letter transfer.  It also usually retails around $30.

It took two sets of their French Ceramics transfer to cover all of the drawers in this linen press …

But I still think that was worth it too!

And then of course there is the Rose Celebration transfer from re.design with prima.

This one is really a splurge at around $45, and you really can’t break it up for multiple projects.  But if you want to make a statement, this is the way to do it.

So tell me, do you use transfers on your projects?  Have I convinced you to give them a shot?

the fritz kohnen armoire.

I was surfing Facebook Marketplace lately and came across this lovely armoire.

Coincidentally, it was being sold by someone I know (in fact, I shared a tour of her lovely home over on the Reclaiming Beautiful blog a few years back).  So I reached out and set up a time to take a look.

I have to confess up front, this piece has some very pretty veneer.  I know there will be those out there who are appalled that I painted it.  So I’ll say two things about that before I move on.  First up, the finish was very dry and even completely worn off on the legs.  It needed to be refinished at a minimum.  Second, it’s only paint.  Down the road it could always be stripped off again when this style of veneer is back in fashion.  And it would be a fairly simple strip job.

In the meantime, I painted it.  Or some of it anyway.  The top was in good condition as is, and it had a lovely warm patina to it.

  So I decided to leave it alone, get the paint on the rest and see if I liked it that way.  Or perhaps more importantly, see if it sells that way.

I can always paint it later if it doesn’t sell like this.

So, I did my usual prep on the areas I planned to paint and then painted them in Dixie Belle’s Caviar.

Once I had the paint on, I really felt like it needed just a little bit more to make it stand out in a crowd so I added a stencil to each door using Dixie Belle’s Putty.

I’m often asked if I know what these foreign language stencils say, and while I don’t speak German, I’m fairly sure those are just names on this one.  The name of a person, Fritz Kohnen, and the name of a place, Roßhaupten, which is a municipality in Bavaria.  This stencil is from Maison de Stencils, and I really love it.  I’ve gotten tons of use out of it.  I may even have to buy another one because I’ve let the paint get really gunked up on this one and am starting to have trouble getting crisp lines.

Here’s my q tip for today; do as I say and not as I do and clean the paint off your stencils.  Especially if they have fine lines and you want to be able to reuse them over and over again.  Although that being said, I’ve definitely gotten my money’s worth out of this one and it would be well worth the price to simply purchase another fresh one at this point.

Next up I used the ‘wet distressing’ method to distress this one.

Wet distressing works really well with the Dixie Belle Chalk Mineral paint.  If you’re unfamiliar with this technique, it’s basically using a wet cloth to rub away paint from the areas you want to distress rather than using sandpaper.

I like to use this method when I just want to carefully remove the layer of paint without removing any of the finish beneath it.  With sandpaper you will often go right down to the bare wood.  It has the added bonus of not creating any dust, which is great when you work in your piano room during the winter.

Just in case you’re curious to know whether I have a fabulous painting studio or not, no, I do not.  Here is where I paint in the winter …

I move that chair out of the way, which creates enough open floor space for most pieces of furniture (although painting a dining room table would probably be out of the question for me in winter).  Then I throw a drop cloth over the piano so that I can use it as a work bench.  On the plus side, this room is really pleasant to work in.  It’s flooded with light in the winter, which is nice.  But it is smack in the middle of my house, so it tends to look fairly messy most of the time.

Anyway, back to the armoire.

After two coats of Caviar, adding the stencil, wet distressing, and a light sanding all over with 220 grit paper, I added two coats of Dixie Belle’s flat clear coat.  To avoid the topcoat looking streaky over black, I added about a teaspoon of the Caviar paint to the clear coat before applying it.

I decided not to paint the inside of the armoire.  Instead I gave it a good clean, followed by a light scuff sanding and then I buffed it up with some of Dixie Belle’s Big Mama’s Butta in the Orange Grove scent.

Now the wood looks gorgeous, and it smells good too.

There is a bar inside for hanging clothes.  I debated having Ken add shelves, but ultimately decided to just leave this as an armoire for hanging items.  Hopefully there is a buyer out there who needs more space to hang things.  One could use it in the foyer for extra coats and jackets.  Trust me, here in Minnesota we need an entire wardrobe of various jackets.  The spring warm raincoat, the summer lightweight raincoat, the early fall lightweight jacket, the late fall medium weight jacket, the ‘January thaw’ winter jacket, and the ‘omg, it’s 20 below zero out there’ parka.  We need extra space for all of that outerwear, am I right fellow northerners?

This was such a beautiful piece to work on and I totally enjoyed every minute of it.

I’ve already begun work on the next piece I plan to share with you guys …

I bet most of you can guess what I’m going to do with this one, right?

But in the meantime, this armoire is for sale locally so be sure to check out my ‘available for local sale‘ page for more details.

Thank you to Dixie Belle Paint Co for providing the products used in this makeover.