I bought the farm.

I’m not gonna lie people, my creative well has gone a bit dry lately.  I’m still struggling with tooth extraction pain, and it took a while to get over the cold I brought home from Florida.  OK, I haven’t exactly ‘bought the farm’, but I definitely haven’t felt very creative lately.

In addition, I’m heading out of town again tomorrow, this time on a solo trip to visit my mom.  So it seemed like a the wrong time to get started on any sort of more complicated project.

I did manage to get out for some thrifting with my friend opK earlier in the week though.  I didn’t find much, but I thought I’d share my very meager haul with you guys.

We started out at a Goodwill where I made just two purchases.  First up, this amber bottle.

I brought it home, gave it a good wash and then added that faux French apothecary label.

I did some similar amber apothecary bottles in February last year …

and I thought they turned out quite nicely, so I tried it again.  I shared the source for printing those labels back in that post, so you can find that there if you’re looking for it.

The labels are easy to apply with some Mod Podge.

Since I already had the Mod Podge out and some labels printed, I decided to add labels to a couple of other jars I already had on hand.

I’ve had that pair of jars for ages and they originally had a much more faux looking paper label on them.  I soaked those labels off to replace them, and these are so much better.

These jars have the cutest little galvanized lids.

I also found this dollhouse barn at the Goodwill.

It needs a little TLC, but I couldn’t help but be reminded of the dollhouse that I fixed up back in December.

That was such a fun project to work on, so I’m thinking this one will be more of the same.

Here’s the other side …

I had to laugh when I brought it up to the register and the clerk said “oh, I see you’ve bought the farm!”  LOL.

Anyway, the barn has already gone over to Ken’s workshop for a few repairs.  I’m looking forward to giving it a fresh look.

We headed to a spot that was new to me next, the St. Vincent de Paul Thrift Store in St. Paul.

By the way, can I just point out that it was a beautiful sunny day and the sidewalks were completely clear of snow and ice on the sunny side of the street.  This is not the norm for Minnesota in February, but I’m loving it!

Unfortunately, I think their sidewalk sign was a bit of false advertising.

I didn’t find any hot deals.  However, as we were waiting in line for opK to make some purchases I saw a shoebox full of old photos so I started flipping through them and this one caught my eye.

Just look at those stern faces!  These guys were very serious about their sport.

The basketball … wait … is that a basketball?  I guess I’m not 100% sure about that.  Is there some other sport played with a ball that looks like that?  Or is that what basketballs looked like in 1929?

Well, whatever it is, it says “E.F. HS 28 – 29” on the ball.  There are no markings on the back of the photo, so that’s my only clue.  So the age of the photo is obvious, but no idea where it was taken.

The photos were priced at a mere 15 cents each, so I thought I really should take it home with me.

I really have no plans for its ultimate fate, but for now I’ll just enjoy displaying it somewhere.

And that’s it.  I only purchased three things.  I’m really looking forward to garage sale season because I am not finding much at the thrift stores these days!

As I mentioned, I’m headed off to my mom’s tomorrow.  She has a to-do list all ready to go for me.  So far I’m doing her taxes, cleaning out her fridge and her closets, and replanting some of her pots on the patio.  I’m looking forward to just spending some time with her though, and maybe enjoying some sunshine and warm weather.  Once again I don’t have any blog posts planned during my absence, but hopefully I’ll be ready to get busy on some creative projects when I get back home again!

coffee bean is the new black.

A while back I mentioned that I’d seen a YouTube video where the creator was using Dixie Belle’s Coffee Bean paint and calling it ‘black’.

That led me to take a 2nd look at Coffee Bean.

I had some on hand, and I’d used it here and there as a base coat, or a shadow color with stencils and I’d always considered it a dark chocolate brown.  And brown has never been one of my favorite colors.  So I pulled it out to take a closer look.

And you know what?  It’s pretty dark.  You have to look closely to see those warm hints of dark brown.  At first glance, it really does look black.

This revelation dovetails nicely with a gradual change in my appreciation for black.

Back in 2018 I was painting everything in Dixie Belle’s Caviar.

Caviar is a rich, deep, super dark black.

But then in 2019 I discovered Dixie Belle’s Midnight Sky and it became my new go-to black.

Midnight Sky is just a little bit less black, sort of a slightly faded version of black.

It’s a little less harsh.  It also has the added benefit of not showing quite as many fingerprints as Caviar tends to do.

As a side bar, the Anchor shown in that photo above is from Dixie Belle’s Silk line, so it’s an acrylic paint rather than a chalk style paint.  It’s also a deep, rich black like the Caviar.

I painted our baby grand piano in Midnight Sky.

If you’ve read my blog for long, you know that no one in our household actually plays the piano.  It’s a long story, but someone gave me this piano and I had intended to learn to play.  Um, yeah, in my spare time (which I still don’t seem to have even though I’m now retired from the day job).  However, it has turned out to be the most versatile piece of furniture for me.  It’s the perfect spot for folding laundry, wrapping presents, doing a jigsaw puzzle, or putting out a buffet at a party.  I also have a huge drop cloth that I drape over it and it becomes my workbench in the winter when I can’t be out in the carriage house.

The beauty of the Midnight Sky is that it barely shows the inevitable dings and dust that result from that kind of use.  Since it’s a chalk style paint, it’s also super easy to repair more significant damage.  For example, I tried to use the piano as an ironing board at one point without thinking about what the steam setting would do to the paint job.  But the fix was as simple as sanding that area down a bit, feathering in some more Midnight Sky in that one spot, and then buffing everything with another coat of clear wax.  Easy peasy.

Actually, it was literally easy peasy because I used Dixie Belle’s Easy Peasy spray wax.

But I digress.

I still use Caviar on some pieces, like this armoire

But I’d been reaching for the Midnight Sky a little more often.

It was gorgeous on this spoon carved set.

But lately I’ve found that I’m no longer as fond of black.  It feels just a little too … well … sort of cold.  Don’t get me wrong, I still like dark shades.  But I want them to be just a little bit warmer.

And that’s where the Coffee Bean comes in.

I used it a last fall on this wooden tote, and I really liked it.

Still, I really thought I’d never see the day when I’d decide to paint a piece of furniture ‘brown’.  Yet that’s exactly what I decided to do with this vintage bankers chair.

Mr. Q used this chair in his study for … well … a long time.  I’m not exactly sure how many years it has been.  But now that he is spending more and more time editing videos for his YouTube channel, he decided it was time for a comfier chair.

The chair was quite beat up after all of that use, and also quite filthy!  So after giving it a good cleaning, I decided to paint it in Coffee Bean.  Once painted, I added a quick stencil to the seat using Dixie Belle’s Putty.

Gosh, in that photo the stencil looks as though it was done using a white paint, but trust me, it’s Putty.  Let’s try a close up photo to see if I can capture the color more effectively.

That’s better.

By the way, I’ve used this stencil quite a lot without cleaning it properly afterwards.  As a result, I am no longer getting a nice crisp image.  So I decided to order a new one to replace it, but it seems as though the company I originally ordered it from, Maison de Stencils, is no longer in business.  Their website is unavailable and the most recent post on their Facebook page is from June 2022.  They also no longer seem to have a presence on Etsy under the name Maison de Stencils.  After a bit more searching, I did find this same stencil available from Euro Stencil Design on Etsy.  It also appears as though this may be the same seller, but with a name change??  I’m really not sure, but if you’re looking for this stencil, start there.

I sanded the stenciled design down, along with the rest of the chair to give it some age.

I then finished it off with some of Dixie Belle’s Big Mama’s Butta in the Orange Grove scent.

I staged the photos in my newly painted q branch, but I won’t be keeping this chair.  I prefer something a little cushier myself.  But hopefully I can find a buyer for it.  I did a bit of googling and found lots of similar chairs out there including a reproduction option at Wayfair for $203 and lots of authentic versions on Etsy ranging from $389 and up.

I’ve decided to price mine at $125 so someone out there can get a bargain.  It’s in good shape and is quite sturdy.  So if any of you locals need a vintage bankers chair, be sure to check out my ‘available for local sale‘ page for more details on this one.

As for the rest of you, leave a comment and let me know what you think of Coffee Bean as the new black.

As always, thanks to Dixie Belle Paint Co for providing the products used on this chair.

let the sun shine.

I’m back from sunny Florida!  Although I have to say, it wasn’t as sunny as we’d hoped it would be.  We started out with one beautiful day, and then the weather ranged from rainy to windy to chilly and then finally to warm and sunny again on our last day there.

My sister and I still had a great time though!

I think we’ve decided that February isn’t the best time for a Disney visit though.  Not only was the weather mediocre, I also didn’t love the Festival of the Arts in Epcot which runs from mid-January to mid-February each year.

I much prefer the Food & Wine Festival, or the Flower & Garden Festival, over this one.  You’d think the ‘art’ theme of this one would appeal to me, but the art is very much focused on animated Disney characters which really isn’t my style at all.

But I’m back from Florida, nearly recovered from a cold I caught on the last day, and still doing a bit of recovering from my tooth extraction (my dentist thinks I had a minor dry socket), and today I’m sharing another toolbox makeover!

One of my fellow Reclaiming Beautiful vendors found this one for me.

Isn’t it funky with that handle off the side?  At one point it must have been painted in a metallic silver, which was later covered up with black paint that then mostly chipped off.

After cleaning it up and not finding any rust, I decided I could skip the B.O.S.S. step this time.  For those of you not familiar, Dixie Belle’s B.O.S.S. is a primer that blocks odors and stops stains.  I usually use it on my toolboxes to block rust stains, but this one didn’t need it.  I simply sanded this toolbox to remove any flaking paint.

Now, I have to confess, I painted this toolbox three times!  Good grief, right?!  Well, I started out painting it black.  But then it sat for a week or so because I just wasn’t loving the black.  So, then I painted just the lid in Dixie Belle’s Drop Cloth thinking I’d go for a black and white look.  But I didn’t love that either.

So ultimately I decided to paint it in Dixie Belle’s Sawmill Gravy.  I did leave the handles black though (and that is Dixie Belle’s Midnight Sky).

I added some I.O.D. transfers next.  The one on the top is from their Label Ephemera set.

Part of the wording on the front is also from that one, but part of it is from their Cosette transfer.

And that bee at the bottom is from a re.design with prima transfer.

And you may have noticed that I opted to leave the latch ‘as is’ along with the chain that hangs beside it.  I’m not entirely sure what that chain was for, but I suspect there was some sort of peg hanging from it originally that you could use to secure the latch.  I was initially planning to remove it, but I couldn’t get it off so I decided to just leave it.

As for the inside … well … we’d been having some seriously gloomy weather here in Minnesota before I left on my trip, so I decided that adding a little Florida sunshine couldn’t hurt.

OK, a LOT of Florida sunshine!  Certainly more sunshine than we saw on our trip!

That is Dixie Belle’s Daisy, and I think these photos make it look just a tad brighter than it really is in person.  Well … I don’t know … it is brighter than their Rebel Yellow, which is a good choice if you’re looking for a paler yellow (you can see Rebel Yellow on this piece).  But in a lovely, sunny sort of way … not in a fluorescent traffic sign sort of way.

The yellow interior was also inspired by the bees.

The bee inside the lid is from the Classic Vintage Labels transfer from re.design with prima.

I feel like I took a bit of a risk with that yellow.  Yellow seems to be a love it or hate it sort of color.  But if the toolbox doesn’t sell with the yellow interior, I can re-paint it quite easily.

I sealed the inside of the toolbox with Dixie Belle’s flat clear coat for extra durability, and the outside with their clear wax.

So, what do you think?  Yellow, yes or no?  Leave a comment and let me know.

And if you’re local and need to add a little sunshine to your life, this toolbox is for sale.  Check out my ‘available for local sale‘ page for the details.

Thank you to Dixie Belle Paint Co for providing the paint and top coats used for this project.

winter decor.

I know I’m a bit behind the times with this post since the Christmas season is long over.  I have a good excuse though, I’ve been struggling with some dental problems.  I ended up having to get a tooth pulled (ugh!), and then … as per usual for me … it is taking a while for me to feel better.

I don’t know about you, but I don’t really handle tooth pain very well.  I tend to curl up in a ball under the covers and hope that it goes away.  And that pretty much zaps my creative energy.

But, it has slowly started improving this week.  That, combined with our unseasonably warm weather, motivated me to get outside and transition my Christmas decor into simply ‘winter’ decor.

You may remember that last year we had so much snow that I couldn’t even get to some of my Christmas decorations to take them down!

But this year is a completely different story.  Our brown Christmas has turned into a mostly brown January too.

I took down my red and green Christmas lights, and put away the evergreen garland and faux red berries.

But I left the white lights in the pots on either side of the deck stairs.

In my opinion, white lights in the garden look pretty any time of year.  Plus, we need all the extra light we can get on these still long winter nights.  One thing about a warmer than usual winter, the nights are much darker without any snow to reflect the moonlight.

I’ll also leave the evergreens and dried flower heads in the pots for at least another month or so.

We haven’t had any heavy snow this winter, so the hydrangeas are holding up really nicely and providing some great winter interest in the garden.

I’m trying to appreciate brown this year.

And if you look closely at that photo above there are even some pops of green!  In January!  How crazy is that?  The green is mostly lamium, or spotted dead nettles, which stays green year round, even when it’s buried under a foot or two of snow.

And hey, remember my little experiment with leaving some ornamental kale in the front flower box to see how it holds up over winter?

It still looks fairly decent, doesn’t it?  Although I suspect that it will turn to complete mush when it really warms up outside.

You may have noticed that I took down the Rudolph and Co. sign that hung next to the door and replaced it with my Skate Rental sign.

I painted this one up two years ago using a stencil from Wallcutz.

I have to confess though, I’m still looking forward to replacing that sign with the Flower Market sign.  Last year I did that just in time for our April Fools snowstorm, remember?

Although I’d pretty much had it with snow by April 1 of last year, it was really pretty!

In other news, my sister and I are headed off to Disney World today.  Since I’ve been laying low to recover from the tooth extraction, I don’t have any posts stored up to share while I’m gone so the blog will be on hiatus for next week.  But I’ll be back in another week, hopefully more fully recovered and ready to go!

the mini adirondack.

As I’ve mentioned in the past, our next door neighbor Ken is also our ‘handyman’.

He has done so many projects for us over the years!

He custom built our pantry.

He helped me create the faux shiplap wall in our principle bedroom.

He also created the faux board and batten look in our piano room.

We also discovered, long after we moved in, that Ken had built the shelving in our living room for the previous owners of our house.

In addition to these larger projects, Ken has also helped out with innumerable smaller projects around our house.  He once saved us $6,000 by building custom screen inserts for the windows in our dining room (we thought we’d need to replace the windows and the quote for that was $6,000!).  This would become a really long post if I tried to list everything he’s done around here.

And of course, on top of all of that, Ken also does the bulk of my furniture repairs.  I think his favorite fix, or at least the one he still talks about, is the humpty dumpty dresser.  After accidentally knocking it off some sawhorses and having it completely fall apart, he put it back together again.

I’ve also mentioned here that Ken builds Adirondack chairs.

We have two of them on the front porch, and two of them on the deck out back.

The thing that makes these chairs special (besides the fact that Ken built them) is that they are super comfy.  They are all based on an Adirondack chair that nnK once had.  Ken took her chair apart and created a template for making more.  Since then he has made countless chairs.

A while back he decided to see if he could make a miniature version.  He scaled his template down and came up with a perfect mini replica of the chair.

He put it together with painstaking detail.

He used toothpicks as miniature dowel rods to attach the slats.

He made one of these mini’s for nnK first.  Then he made another for himself.  And then finally, he made one for me!

Of course, I gave mine a paint job.  I started by painting it with Dixie Belle’s Midnight Sky, which I then covered up with their Drop Cloth.  I wanted the dark base coat so that I could distress back to it along the edges, rather than just seeing that pale wood underneath.

Once the paint was dry, I added a simple, small Tim Holtz number transfer to the front of the seat.

After sanding lightly to distress, I finished it all off with a coat of clear wax.

I staged these photos using a few of my favorite things including the small boxes I painted up last fall.

They are sitting on a tiny new testament bible that belonged to my grandfather.

There is an inscription inside that says it was gifted to him as he went off to fight in WWI.  And yes, that’s WWI, and it was 1917.  I believe he would have been around 24 years old at the time.  If you’re trying to figure out the math and how I could have a grandfather that was born in 1893, I have to point out that he was 47 years old when my mother was born.

I grabbed a few other items to add to my photo …

Most of these things come from those shelves in my living room, which is the eventual home of the mini adirondack as well.  Unfortunately, it was far too gloomy here last week to get a good photo of the chair in its ultimate resting spot.  So you’ll just have to trust me when I say that it fits right in with some of my other mini’s on those shelves like this one

and this one

I don’t know why I find miniatures so darn appealing.  How about you?  Are you drawn to miniature versions of furniture?  Leave a comment and let me know.

cheap art.

Last year I picked up several original oil paintings while out garage saling.

You may remember my faux Matisse.

I also found a lovely mid-mod painting of the what one of my readers identified as the Moulin Rouge in Paris.

And then most recently, I bought home this landscape from an estate sale.

Originally I was picking these up to resell, but then I decided I rather liked the idea of creating a gallery wall in the q branch using these paintings, and a few other things … like those crusty old paint brushes that I love.

So after I got my Globe Artichoke paint on the walls, I started laying out my gallery wall (FYI, turns out this is another good use for a baby grand piano).

I decided to also use a pair of small bamboo frames that I shared with you guys back in February 2021.  I had originally made up a couple of collages using old family letters and photos to fill them, and I painted them black.  But later I gave the frames a metallic look using Dixie Belle’s Bronze Gilding Wax.

But for my collage wall I wanted to turn them into small landscapes.  So I went on Etsy and purchased some downloadable painted landscape images.  It was simple to print them out, mount them on scrapbook paper and pop them into the frames.

I’m quite happy with how they turned out.

Last, but certainly not least, I had this old oil painting that my grandfather painted.

One of these days I may attempt to clean that painting.  Grandpa was a smoker, hence the yellow tinge to that sky.

It was unframed, but in a miraculous sort of way, I had an old frame on hand that fit it perfectly.

Aside from most of these things being original oil paintings, there wasn’t a whole lot else to unify them.  I’ve got a portrait, a city scape, and a handful of landscapes.  The frames ranged from a bit ornate, to simple barnwood.  I felt like I needed to find a way to tie them all together, so I repeated my use of the Bronze Gilding Wax on the frames.

You can use a brush to apply the wax, but I like to put on a latex glove and just use my finger.

For the barnwood frame, I just used the wax on the thin black wood trim that was around the outer edge of the frame.

It was a small change, but it toned down that black and helped this frame fit in with the others despite that rustic barnwood.

I know some people will cut out paper templates of their items and then tape them to the wall to get the placement right for a gallery wall, but I just winged it.  I started in the middle with the two small bamboo frames and then I worked up and out from there.  I will admit that I had to move a couple of nails after their initial placement to get it just right.  But I’m not someone who gets squeamish about nail holes in the wall.  I just fill them and touch up the paint, easy peasy.

If any of you also have plaster walls, I’ll share my favorite Martha Stewart tip for putting nails into plaster.  Place a small piece of scotch tape where the nail is going to go and then pound in your nail.

This helps keep your plaster from crumbling.  I have my own secondary tip, which is to fold over one edge of the tape onto itself for easy removal later should you ever decide to repaint your walls.

Another tip for anyone with less than smooth walls is to always use flat paint.  If your paint has a sheen it will highlight all of those imperfections.  Flat paint tends to be less washable than eggshell or satin though.

I absolutely love how my gallery wall turned out.

And I created it for under $50 total.  Pretty much every item came from a garage sale (except Grandpa’s painting, and the downloaded prints).

Next up for this room is finding a rug.  It’s a little tricky because a square rug will work best and there aren’t a ton of square options out there.  I’ve found one at Wayfair that I think will work, but I’m really nervous about ordering a rug online.  So often items ordered online look nothing like their photo on a computer screen.  Have any of you ever ordered rugs from Wayfair?  Or do you have another recommendation for finding a square rug?  If so, leave me a comment and let me know.

globe artichoke.

Mr. Q and I have lived in our house for a little over 35 years.  That’s a long time, I know.

When we first bought it in 1988 we considered it a ‘starter home’ and planned to build equity for a few years and then move on to something bigger and better.

Instead, we fell in love with this house, despite the really drafty windows, the treacherous basement stairs and the world’s smallest bathroom.  Even now I can’t imagine how we’ll ever be able to sell this house, whenever it comes to that.

But I digress, this post is actually about making over the q branch, which is what I call my study … or the room where I write this blog.  I only brought up how long we’ve been in this house to explain why this will be the 5th time I’ve painted this room!

Let’s review, shall we?

First, let me back up for a minute and describe the room.  It is a small, square-ish room that is just off the piano room … or what was originally the formal dining room.  It doesn’t have a closet, and it doesn’t have a door.  It has a wide arched opening into the piano room.

I often wonder what the original purpose of the room was back in 1904 when our house was built.  It may have had a regular door back then, I’m fairly sure that the wide, arched openings between this room, the piano room, the living room and the front hall are not original.  And in fact, we added the one between the kitchen and the piano room.  So it’s possible this room was intended to be a small, main floor bedroom for someone who couldn’t do the stairs … an elderly parent perhaps?  I’ve also often wondered if it was originally a small kitchen of some kind, before the house had indoor plumbing.

Regardless of its original purpose, I struggled for years to create an identity for the room.

The first use we came up with was as a space to display my dollhouse.  My dad made the dollhouse for me when he retired early, and I sure can understand why he made it so elaborate now that I’m also retired! He had some time on his hands.

I papered the room in a mauve and cream pinstripe paper, and painted all of the trim in a matching dark mauve.  Here’s the only photo I could find from that look.

Ugh!  I can’t believe I once liked that look!  Remember balloon shades?  LOL, what can I say?  It was the 90’s.

Next I went through my ‘red phase’.  I painted the living room and piano room walls red.  That definitely didn’t work with the mauve, or with the big pink dollhouse.  So the dollhouse got moved upstairs and then …for some unknow reason I decided to paint the room brown!  Can you imagine?  Brown?!

Well, you don’t have to imagine, here’s a really bad quality photo …

Yikes!  Not much better than the mauve.

The room still didn’t have an identity at that point and we never actually used it for anything.

But then I decided that I needed a home office/craft room and the room underwent makeover number 3.  I painted the walls chartreuse, and the trim went back to white.

Yep, bright green walls with black furniture.  I loved it for a while, until I didn’t anymore.

The next transformation was when the q branch’s identity became fully formed.  I once again painted the walls, this time in what I thought was a neutral greige, but was really more just plain beige, and I painted the ceiling a very pale blue.

That was back in 2015.  Since then I’d made a few changes to the furniture, bringing in my English cupboard

and most recently, changing out my desk.

I have to say, I never really loved that wall color.  I often admire the all-white, pale neutral sort of look in other people’s spaces, it can work well if there are a variety of shades ranging from pale greige to creamy white, and a variety of textures.  But somehow it never quite works for me.

So after 9 years of that look, it was time to change it up again.

The first step was to pick a new wall color.  I’d been drooling over dramatic shades of dark green over on pinterest, so I went to Home Depot and looked through the paint colors.  I picked out a color called Alfalfa Extract, it looked perfect.

So I had them mix up a color sample jar for me and I brought it home.

I painted up a Sure Swatch paintable test swatch and put it on the wall.  Then I studied it under different lighting conditions.  That was when I realized that the room is pretty dark.  It has west facing windows, but there is a tall arborvitae hedge just a few feet from the windows.  It’s great for providing privacy, but it also blocks a lot of light.

The color that looked perfect in the brightly lit store was too dark for this room.  Even after waiting almost a week for a bright sunny day to light it up, it was still too dark.

So then I went to Menards and picked up a couple more options.  The first of these was so close to the Alfalfa Extract that I didn’t even bother to put up the swatch, but the 2nd was a bit lighter and also a bit more olive.

When I first painted up the Sure Swatch with Globe Artichoke I thought for sure that it was not going to be the right color.  It was too light, and way more olive than I thought I wanted.  But I painted the swatch in the piano room, which gets a lot more light.  When I put the swatch on the wall in the q branch (these swatches have a post-it note like stickiness on the back), I realized that it was exactly what I was looking for.

The moral of my story?  You really need to test paint colors in the room you’ll be using them in before making a decision.  If I have learned anything after painting, and re-painting, the rooms in our house for 35 years, this is it.  So many factors can influence how a color looks on your walls; natural light, artificial lighting, floor color, and/or ceiling color.

So once my color was chosen, I spent a couple of days last week painting the walls of the q branch in Globe Artichoke.

And I love it!  The pine cupboard really pops against the rich deep olive, as does my desk.

You may have noticed that I did not paint the radiator pipes that go up the wall in the corner behind the desk.  That’s because the temps were below zero outside, so those pipes were too hot to paint.  Ditto behind the radiator itself.  I’ll have to save those areas for warmer days, and that may be sooner than I thought since they are predicting temps in the 40’s for next week.

I also think I’m going to want to repaint the ceiling now.  The pale blue isn’t quite right with the green, I think it needs to go back to white.  I am on the hunt for a new desk lamp (I think the current one is too small), a possibly a new chair and/or rug.  I also want to find some olive green throw pillows for the living room sofa so that I can tie in a bit of this wall color out there too.

One last thing for today, I wanted to mention that I did all of the cutting in along both the crown molding and baseboard without any taping.  I used the Zibra Triangle brush and it worked beautifully.

So if you have any rooms to paint, you might want to consider picking one up.  I purchased mine at Home Depot.  Now I just have to get it clean after all of that hard work!

OK, so I’m a little afraid to ask what you guys think of this color.  I know dark walls aren’t for everyone, but I seem to be drawn to them.  What do you think?

a French printer’s tray.

If you’ve been following me for long, you know that my ‘workshop’ is out in the carriage house …

And it’s not heated.  Plus we have to fit our cars in there in the winter.

So I haul all of my supplies inside the house before we get a freeze, and then I do most of my painting in the piano room.

I put a drop cloth over the piano and it becomes a workbench, and I keep the supplies I use most often in the Specimens cupboard.

It’s definitely not glamorous.  And whenever we’re having guests I have to put everything away.

It’s also not very much space to work in.

So as fall approaches each year I start to pile up a bunch of small projects to work on after the Christmas season is over and I’m steadily working my way through that pile.

Today’s small project is a simple wooden tray that I picked up at a garage sale last summer.

It definitely seems to be homemade.  You can see that the wood piece that makes up the bottom originally had hinges on it, and the one shorter side is a bit thinner than the others.  Someone clearly cobbled it together out of bits and pieces they had on hand, you gotta love that.

After first painting the tray in Dixie Belle’s Dried Sage and deciding I didn’t like it (even though I’ve used Dried Sage on numerous projects that I loved), I ended up going with a very simple makeover.  I added two coats of DB’s Drop Cloth.  Once dry, I added some bits and pieces of French typography from my transfer scrap pile.

I used google translate to make sure I wasn’t putting nonsense on my tray.  That first line, Tous droits réservé, is simple, it means ‘all rights reserved.’  Évreux is a place in France.  And that bottom line is just a name, followed by the word ‘printer’.  So, in other words, it could be considered an advertisement for a printer.

After the wording was in place, I added a small embellishment to the bottom of the tray too.

I’d considered going with something a bit more elaborate, but I figured most people would be putting stuff inside the tray and thus potentially covering that up anyway.

I sanded the edges of the tray to distress them, and then finished everything off with a coat of clear wax.

I added some old books, a pair of crusty old paint brushes in a ball jar, and an antique camera for styling.

How would you style this tray?

Leave a comment and let me know!

a sweet little toolbox.

My friend opK found this sweet little toolbox for me last summer.

She thought it would be the perfect candidate for a makeover, and she was right.

I gave it my usual prep, a good washing with soapy water and then a coat of Dixie Belle’s B.O.S.S.  By the way, while we’re on the subject of B.O.S.S., did you hear that Dixie Belle is coming out with a new product that combines the qualities of B.O.S.S. and Slick Stick?  So it will still block odors and seal stains, but it will also be formulated to use on slick surfaces to improve the adhesion of your paint.  I’m looking forward to trying that out.

But in the meantime, I still like using the clear B.O.S.S. on items like this.  I prefer the clear version over the white or grey because I almost always distress my pieces and I don’t want to see that white or grey color under my final paint color.  Of course, in this particular instance I could have used the grey and it wouldn’t have made much difference since the original color of this toolbox was a silvery grey.

I painted the inside in DB’s Cottage Door.  This is such a lovely warm pinkish coral.  I’ve used it to create a pop of color inside a few toolboxes now.

Next I painted the outside in DB’s Midnight Sky.  Then I taped off a Swiss cross to paint in Drop Cloth.  Unfortunately, after I painted the cross, the tape I used pulled a bunch of the Midnight Sky with it when I took it off.

I usually use the yellow Frog Tape for delicate surfaces, but they didn’t have that one at Home Depot so I had purchased the regular green Frog Tape instead.  I’ve since gone back to Menard’s to stock up on the yellow version so this doesn’t happen again.  I could also probably avoid this problem if I allowed the paint to cure longer before taping over it, but who has the patience for that?

After going back and touching up the Midnight Sky, I added a small transfer from I.O.D.’s Label Ephemera to the top of the toolbox.

Then I decided that a small section from the I.O.D. Mélange paint inlay had the perfect typography for below that transfer.

I love it!

Except what did I do?  You can definitely see it in that close up photo above.  Yep, I forgot to seal my paint inlay with a spray sealer before applying some clear wax.  As soon as I swiped over it with the wax brush it smeared.  Ugh!

A more detailed explanation on the correct way to apply and seal a paint inlay can be found here.

I’m so annoyed with myself, I definitely knew better, I just wasn’t thinking.

I went back in with a q-tip to try and clean it up a bit, but you can definitely still see a bit of smearing, especially in a close up.

But most people aren’t going to be scrutinizing it that closely, right?

Unfortunately, an immediate fix for this would be rather delicate.  Since the paint inlay has to be applied to wet paint, I would have to paint back over that area.  However, I wouldn’t trust the adhesion of paint over the freshly applied wax, although you can paint over it after it’s cured, in about 30 days.  Otherwise, the wax would need to be removed by scrubbing it off with some mineral spirits.

Then I could brush on some more Drop Cloth paint and apply the paint inlay again.  However, as I’ve found in the past, using a paint inlay for the 2nd time gives a much fainter result than the first time around.  So would I be any happier with the look of that?

Another option would be to buy a new Mélange paint inlay just to use that little section of it.  The inlay is currently on sale at The Painted Heirloom for $40.50, plus $6.95 shipping unless I would spend at least $150 to get free shipping.  Yikes!  That’s a lot of money to fork over just for this one little fix.  Don’t get me wrong, I do think that the Mélange paint inlay is worth that price if you have lots of projects to use it on.  But I already have it, and I’ve only used about half of it.

FYI, The Painted Heirloom site has a message saying that all I.O.D. paint inlays are now considered ‘limited release’ and once sold out there won’t be more.  So maybe that’s motivation to buy another.

Do I really want to spend almost $50 for another Mélange inlay though, just for this one little section on this one little toolbox?

And maybe that blurring isn’t really that bad?

From a distance you barely notice it … especially if you squint just a little.

LOL, I don’t know.  We’re always more critical of our own work, aren’t we?  What do you think?

By the way, I also added a simple Tim Holtz number transfer to the side of the toolbox.

and I think the latch is my favorite part of this makeover.

It’s half black and half white, and I added a little crown.

For now I have set this toolbox aside while I consider whether or not I need to re-do that inlay.  But I may just take it into the shop and see what happens.  I can always make a decision about re-doing it if it doesn’t sell.

What would you do?

the botanist box.

Today I’m bringing you another wooden box makeover.

Since there really isn’t any way to tell the scale in that photo, I’ll tell you that this is bigger than your average recipe box.  I suspect it was used by a business of some kind.

And that’s partially based on this stamp inside the lid calling it a ‘merchants box’, and partially based on the size.

I gave this box a quick scuff sanding, followed by wiping it down with a damp cloth.  Then I painted the outside in two coats of Dixie Belle’s Sawmill Gravy.

Then I pretty much lost my head.  That’s the best way to describe it.

I decided I really wanted to use just the wording from inside the circle of I.O.D.’s The Botanist transfer.  You may remember when I used this full transfer on a bed last summer.

I had ordered another one recently, and I just couldn’t resist using the typography portion on this box.

It was a perfect fit.

If I was keeping this box for myself I probably wouldn’t bat an eye over the $25 price tag for the transfer, but I’m planning to sell this box.  So I fully admit that it doesn’t make any kind of good business sense to spend this much on a transfer that I used on one measly box makeover.  I hesitated quite a bit before deciding I just had to do it.  I also think I’ve come up with a use for the rest of the transfer, those floral swags that surround the typography, but we’ll have to wait and see if that comes to fruition.

So will I get my money back out of this one?  Probably just barely.  I certainly won’t be making any kind of profit.  That’s OK with me, but I know many of you guys need to turn a profit, in which case this is not the way to do it.

By the way, yes, I did consider filling that big crack down the middle of the lid.

But I decided it added a little character and age to the box.  I’m OK with that.

You may have noticed that in addition to the typography, I also decorated this box with some florals from the I.O.D. Floral Anthology transfer.

I filled the front of the box …

and trailed over to both sides …

with various scraps of Floral Anthology.

I should also mention that prior to adding any of the transfers, I used the wet distress method on this box.  This method involves using a damp rag to rub paint away from edges where the box would have naturally been worn over time.  It can be a good alternative to distressing the edges with sandpaper, often looking more authentic.  This only works with a paint that is reactivated with water, so mainly chalk style paints.

I did add one little Tim Holtz number transfer to the front of the box as well.

I finished the box with some clear wax both inside and out.  I hadn’t painted the inside, but chose to leave it in the natural wood instead.  The wax freshened it up nicely.

I should also point out that this box must have had some sort of slider thingie inside originally that had since been removed, leaving a sort of empty track in the bottom of the box.

To cover that up I simply cut a thick piece of cardboard to fit the bottom of the box, and then covered that with some scrapbook paper.

It’s quite sturdy, but also quite removable.  So down the road if it gets all grungy from use, it can easily be pulled out and replaced with something fresh.

I took this one into the shop this week, so if any of you locals are interested in it you’ll need to pop into Reclaiming Beautiful in Stillwater.

As for the rest of you, what do you think of this box makeover?