Category: furniture.

Do you ever make a decision to try something knowing full well that you are probably making a mistake but you just can’t help yourself, so you do it anyway?

You’re so excited to see the end result that you press on full steam ahead even though you know deep down inside that you shouldn’t?

Yeah.  I do that sometimes too and this is a story about one of those times.

You might have noticed the awesome antique piano stool in the photo of the desk that I shared a while back.

I purchased the stool last summer at a garage sale just down the street from my sister’s new house.

Here’s another ‘before’ picture.

I love the gorgeous ball and claw feet, don’t you?  Although gosh, I guess they aren’t really ball and ‘claw’ because those are actually bird beaks holding those balls, not claws.

Ball and beak feet?  Doesn’t sound quite right, does it?

Anyway, I wasn’t quite sure exactly where I’d end up with a makeover on this stool.  I thought about painting the entire thing.  Or stripping and staining just the seat and painting the base.

However, when Prima Marketing sent me some samples of their Decor Transfers they included this gorgeous medallion transfer.

And it just happened to fit absolutely perfectly on the seat of this stool.  It’s as though it was meant to be.

I pictured it over a rustic wood seat, with the base of the stool painted black.

So I started by stripping the seat of the stool using Citristrip.  Then I sanded it down and realized it had some unattractive splotches and stains.  I didn’t want to go too dark on the finish because I wanted the transfer to contrast well with the color of the wood, but at the same time I wanted to blend those stains a bit.  So I thought that using Fusion furniture wax in Espresso would be perfect.  I waxed the seat of the stool which did work perfectly to blend the stains and make them less obvious.  But then this is where I made my fatal error.  I chose to immediately attempt to apply the transfer over the fresh wax.

Today’s q tip:  Do not apply transfers over freshly waxed pieces.  You will end up with a sticky gooey mess.  The more you rub the back of the transfer sheet (creating heat with friction and thus softening up the wax even more), the gooier your mess.

Normally you would wax after your add your transfer.  I knew this.  I’m still not quite sure why I did it this way.  But I was so excited to see the end result, so I just kept going even though there was a little voice inside my head that kept saying ‘um, I don’t think this is a good idea, stop now before you ruin a perfectly good transfer‘.

Yeah.  Ruin it I did.  The transfer just wouldn’t stick to the fresh wax.  The more I rubbed to try and make it adhere, the worse it got.

But even though this particular effort was a failure, I could see that the transfer itself was going to look amazing on the wood seat (once I got it right) and fortunately the people at Prima Marketing took pity on me and agreed to send me another of the Medallion transfers.

Thus it was time to start over!

First I had to remove the portions of the ruined transfer that did stick.  If you’ll remember back, I had to remove a transfer once before.  That time I had used one over a dark green color and it was also a fail (aren’t you glad you have me to make these mistakes for you, so you don’t have to waste a transfer on them yourself).  I tried using a razor blade to scrape it off, but that didn’t work at all.  Once these things are adhered, they are on there pretty good (which is a good thing usually, right?).  I ended up sanding that one smooth and then painting over it.

But in this case I didn’t want to paint over it.  I wanted to remove it entirely.  So I tried scrubbing with mineral spirits and a scrubbing pad.  After lots of elbow grease, I had made some progress but at that rate it was going to take me all afternoon to remove the entire thing.

  The mineral spirits did remove the wax though which was a good thing.

I finally decided to just break out my orbital sander and sand the heck out of it.  That did the trick.

If you’ve ever wondered how well the Prima Marketing transfers  will adhere to your finished piece, wonder no more.  They are stuck pretty good.  It takes 120 grit sandpaper and an orbital sander to get them off.

At this point the original patina of the stool’s seat was pretty much obliterated, so I stained it with Varathane Wood Stain in Early American.  Then I tried again with the transfer.

This time it went on beautifully and quite easily.  It took no more than 10 or 15 minutes to get the entire design transferred onto the stool.  Once that was done, I sanded lightly over the entire thing with 320 grit sandpaper and then added a Fusion’s clear furniture wax over the transfer and the rest of seat.

Ahhh, so much better.  And by the way, the base of the stool is painted in Dixie Belle’s Caviar.

I’m not sure if I’ll keep the stool or not.  I love the way it turned out, but it feels kind of small in front of my baby grand.  I usually have a chair in that spot.

Also, here’s a head up, Dixie Belle sent me all of the supplies needed to paint my piano black.  I’ve wanted to do so for several years now and just haven’t had the courage to tackle it.  It’s big and it has a lot of flip sides and insides and outsides.  But I’m working up the nerve.

But in the meantime, I love how the stool turned out, what do you think?

If you want to copy this idea on a stool or chair of your own, you can order the transfer via Amazon (here is a handy link).

And remember today’s q tip, don’t try to apply a Prima Marketing transfer over freshly applied wax!  Transfer first, wax second.

Several weeks ago one of my blog readers contacted me and asked if I was interested in purchasing some furniture she was getting rid of.  She sent me some photos and quoted a bargain price, so I said sure.  She lives about 40 minutes away, which is a bit far but worth it because there were three pieces, and as I said, there was also that bargain price tag.

So one Friday night Mr. Q and I headed out to pick up the furniture.  We headed straight up I35, took the exit for Wyoming, MN and headed due west down a dark, curvy road with a 55 mph speed limit.  One thing I’ve mentioned here on the blog before is that I am a city girl.  I like my roads well lit at night, and straight and familiar doesn’t hurt either.  I also find that when you are driving on these country roads, the locals behind you get quite impatient if you don’t go at least 5 – 10 miles over the speed limit.  You see, they know the road.  But I didn’t, so I was driving 55 and being very cautious, using my high beams every chance I got.

We made it safely to our destination and loaded up the three pieces, which fit perfectly into our van.  Then we headed back the way we came.  We were about halfway back to the interstate when we came upon an accident scene.  No emergency vehicles had arrived yet, however I could see flashing lights headed our way from further down the road.  The roadway was full of debris.  There were multiple cars pulled over on both sides of the road and people dashing around.  And did I mention how dark it was?  We couldn’t really see much, so by the time we realized what was going on it was too late for us to pull over, the shoulders on either side were full of cars.  So we kept going, driving very slowly through the debris field.  It wasn’t until we were almost through that I glanced over and saw the van that was on its side in the ditch.

As I mentioned there were plenty of people on the scene.  A police car was responding.  And Mr. Q and I have no special skills that we can offer at the scene of an accident.  So we just kept on going.  We would only have been in the way had we stopped.

All the way home we wondered what had happened and whether or not the occupants of the vehicle were OK.  It wasn’t until a couple of days later that I learned that some of the passersby had put out a fire in the van using snow.  The driver of the van died on the scene.  His wife was airlifted to the hospital.  There was a second vehicle involved (we never saw that one) and that driver was also airlifted.

I really debated whether or not to share this story with you guys.  It’s so sad, and I really want my blog to be a happy place.  But I’m still feeling haunted by this.  Had we been on the road 10 minutes earlier, would it have been us in that accident?

My heart goes out to the family that lost a loved one, and I am reminded to be incredibly grateful for the life that Mr. Q and I get to go on living.  And also for the reminder to drive cautiously on dark country roads at night, or really anywhere, anytime.  If nothing else, I hope all of you reading this will slow down, don’t use your phones while driving, and just remember to treat driving with the respect it deserves.  Driving continues to be the most dangerous activity that most of us participate in on a daily basis.  So please, be safe.

Now let’s move on to happier topics, shall we?

I’ve finished one of the pieces we picked up that night and I want to share it with you today.  Here’s the before.  The mirror is just leaning against the back, but later on you’ll see it in place.

I know I broke one of my photography composition rules with this photo, I took it from a standing position shooting slightly downward.  But I was trying to keep myself out of the mirror.  And hey, it’s a ‘before picture’, so I don’t have to follow the rules for that, right?  It’s supposed to look bad.

As you can see, the finish is rather beat up.  In addition, there is an unseen problem.  It was pretty smoky smelling.  But that just made this a great opportunity for me to try the BOSS that Dixie Belle sent to me a while back.  BOSS stands for Blocks Odors Stains Stops bleed-thru.

The instructions require two coats of BOSS followed by paint.  Logic dictates that in order to block the odor, I have to coat every surface inside and out.  To experiment with that I coated the insides of a drawer and then asked Mr. Q to give it the sniff test.  Sure enough, he agreed that the inside of the drawer no longer smelled of smoke.  However, turning the drawer over, the underside still smelled.

So, two coats on every surface.  I went through almost an entire 16 oz. jar of BOSS for this one piece of furniture.  The jar costs around $18.  When you are negotiating the price for a piece of smoky furniture, just remember that the smell can easily be dealt with using this product but be sure to factor in the extra cost if you are flipping the piece to sell.

The BOSS leaves a sort of tacky surface behind.  Perfect for hanging onto paint, but that also means you must put paint over it you can’t just leave it.  So that meant painting every surface as well.

Luckily Dixie Belle had just sent me a fresh batch of paint including a jar of Sea Glass, a beautiful blue green.  I knew it would work beautifully with some lovely jadeite knobs that I had in my stash.  I purchased them a while back from D Lawless.

While painting this piece I used the Dixie Belle method of dipping my brush into a cup of water first, then into the paint which basically results in watered down paint.  The paint goes on much smoother this way.  If you are one of those people who don’t like to see brush strokes, this is the way to achieve that.  I used two coats of paint on everything except the undersides of the drawers which only got one coat.

After painting the insides and outsides of each drawer, I also added a topcoat of Dixie Belle’s Flat Clear Coat and then lined them with scrapbook paper.

Now, here’s something I learned recently about Dixie Belle paint.  You don’t have to put a top coat over it.  What?  Do your eyes deceive you?  No they don’t.  It’s true.  Once the paint cures (in about 30 days) it is very durable without a top coat.  Eureka!  This was a revelation to me.

After learning that I decided to try a little experiment.  As I mentioned, I used the Dixie Belle Flat Clear Coat inside the drawers.  I also used it on tops of the two sides.  But then I left the rest of the piece as is.  I wanted to see if there was a noticeable color difference between the sealed areas and the unsealed areas and the answer is no.  At least that’s true with Sea Glass, it may not hold true for darker colors.  I’ll have to test that theory further.  I like having a little extra protection on the surfaces that might get spilled on, while knowing that I don’t have to clear coat (or wax) the sides, the mirror frame, the legs and so on.

The vanity didn’t come with a chair, but once I had it painted I felt like it really needed one.  I have a few chairs out in the carriage house, I’d picked them up here and there last year at garage sales.  It’s good to have single chairs handy to pair up with desks or vanities.

I used the top chair in that stack and I asked Ken to cut a piece of hardboard that I could upholster for the seat.  I painted the chair itself in the Sea Glass and upholstered the seat with some simple muslin fabric that I stamped with the Iron Orchid Designs Decor Stamps (see this post if you’d like more details on how to do that).

By the way, getting photos of pieces with mirrors straight on without getting yourself in them is tricky.

The angle was a little bit easier.

I staged this piece with a bit of pink which I thought looked very pretty paired with the Sea Glass.

This lovely sea glass vanity is for sale locally, so be sure to check my available for local sale page for more details.

This past Saturday I went to the Pink Martini concert at Orchestra Hall in Minneapolis (if you’re reading Kim, thanks for the heads up on that!).  If you’re not familiar with Pink Martini, they once said that if the United Nations had a house band it would be Pink Martini.  I love this quote from their bio:  “We’re very much an American band, but we spend a lot of time abroad and therefore have the incredible diplomatic opportunity to represent a broader, more inclusive America… the America which remains the most heterogeneously populated country in the world… composed of people of every country, every language, every religion.”  Saturday night they sang songs in Turkish, Armenian, Italian, French, Japanese and more.

Not sure that Japanese music would appeal to you?  Check out Zundoko Bushi.  Or perhaps an Italian ballad is more your style, if so check out Ninna Nanna.  They do sing songs in English too, and I always dedicate Eugene to my sister (because her ex is named Eugene and I enjoy teasing her about it).

Anyway, seeing Pink Martini perform is like taking a trip around the world without leaving Minneapolis.  I let that idea inspire the staging for the piece I’m sharing here today.

But let’s start with the ‘before’ pic …

Mr. Q and I risked life and limb to pick this up one cold evening last week.  It was being stored in the seller’s walk out basement so it required backing our vehicle halfway down an icy hill in the pitch dark, and then carrying the piece itself halfway up that same icy hill in the pitch dark to load it into the van.  And yes, in case you are wondering, it is as heavy as it looks!  Once it was all loaded up it took a couple of tries to get the van back up that icy hill.

But we survived to tell the tale and got this piece safely unloaded back at our house.

By the way, this dresser also came with two tall, skinny, side by side mirrors attached at the back.  You may be familiar with that style from the 70’s.  I took them off and will not be putting them back on.

I bet you can guess what I did with it next!  If not, you haven’t been paying attention lately.

Of course I painted it in Fusion’s Park Bench!  I warned you guys that I was going to bore you with repeats of this color.  The last two pieces I did in this gorgeous shade of green flew off the shelf, each one selling within 48 hours of being posted on Craigslist.  So when you have a winning combination you just gotta go with it, right?

I would say the design of this piece is somewhere between the sleek, modern, clean lines of earlier mid-century pieces and the chunky, Spanish Rivival stuff of the 60’s & 70’s.  Perhaps it was designed by someone who couldn’t quite embrace either style so they stuck with somewhere in the middle.

I really debated the fate of the hardware.  The original stuff wasn’t horribly bad.  There might even have been some who really liked it.  If the back plate had been plain instead of fussily engraved, I might have tried shining up the brass and keeping it.  Also, if the back plate had been a separate piece that I could remove and still use the pulls, I may have done that as well.  But they are one solid piece.

 So I really felt like the piece would be better served with new hardware, and since I’d gotten an excellent price on it I felt like I could spend a little bit more on new hardware.  Luckily Hobby Lobby is really stepping up their game on more modern looking drawer pulls.  There were several different styles that caught my eye, but I ended up going with some matte gold drawer pulls for the six drawers and some matte gold and clear acrylic knobs for the center door.

Also, I was in luck because last week knobs were 50% off at Hobby Lobby.  Great timing!

Seeing the new hardware in place, I know I made the right decision.  These pulls and knobs lend a bit more of a modern edge to the dresser.

If any of you are wondering about the details on this piece, I started by filling the old drawer pull holes with Dixie Belle’s brown mud.  Next I sanded lightly, vacuumed away the dust and wiped it down with TSP substitute.  I painted it with two coats of Fusion’s Park Bench.  As you know Fusion paint has a built in top coat, so I didn’t need to add one.  Finally, I drilled new holes for the hardware, and voila!

There are three more drawers behind that door in the middle of the dresser.

And as it turns out, I’m kind of a dork because I neglected to paint the inside of the door.  It wasn’t until I opened it to take photos that I realized it looked rather awful unpainted.  I had to slap a quick coat of paint on it for the photos while I still had some light, so the paint isn’t actually even dry in that photo.

And in case you are wondering, I’m also going to have to cut down the screws for the knobs  on the door so that they don’t hit those interior drawers.  I did some measuring and I will just be able to trim them down enough to fit.

So technically this piece wasn’t quite finished when I took the photos for the post, but I had to make hay while the sun shined (shone?) and get my pictures done during daylight hours.  I won’t be listing this piece on my ‘available for local sale page’ until it’s totally finished and ready to go.

But in the meantime, I thought I’d still share it with you guys.  What do you think?

Will this third piece in my Park Bench series do just as well as the other two?

Fingers crossed.  I need to add a little more cash to the travel fund so Mr. Q and I can plan our next real international adventure.

Recently I shared the pair of chairs with the stamped fabric seats that I purchased on the day of chairs …

I also bought two little kid sized chairs that day, see them there on the left?

Here they are again …

At the time I stashed many of these smaller projects away for the winter so I would have things that were easy to work on inside the house.

I painted the first little chair back in November in a pretty Homestead House milk paint color called Maritime.

I just finished up the second one, and this time I chose Sweet Pickins’ milk paint in a color called In A Pickle.

I’ve had such luck with green pieces lately so I figured I’d try it in milk paint.  I’ve painted a few pieces in this color in the past and the little bit of paint powder left in the bag was just enough for this chair.

Just look at the gorgeous chippy-ness …

I opted to just leave this chair unadorned, so no stencils or transfers.

It’s perfect for providing a pop of vibrant color.

The milk paint has been top coated with hemp oil, which really brings out that rich color.  Here is how it looked before the hemp oil was added.

The little bowl with the strawberries on it is something I picked up at a garage sale many years ago.  It’s just one of those sweet little things that I couldn’t resist.

I’m sure at one time it had a lid, but now it’s lidless.  I store paper clips in it.  It never fails to bring a smile to my face when I see it.  I love the little lines of green around the base and handles.

I’ve hung the chair on the wall for the photos, I think it would be fun to use a chair like this as an alternative to a traditional shelf, don’t you?

I’m slowly but surely making my way through all of the smaller projects that I had stashed away for the winter.  Luckily spring is just around the corner (shhh, don’t tell me differently, this is what I keep telling myself) and along with spring comes garage sale season!  It can’t get here soon enough.

I sent Mr. Q off to pick up this lovely dresser one afternoon last week.  It wasn’t far away so it was easy for him to pop over and buy it while I was still at work at the day job (well, technically I was getting my hair cut on my lunch hour at the time, hi Tamara!).

It has a rather classic traditional style, wouldn’t you say?

You can barely see them, but it has a pair of hankie drawers attached to the top.  I’m not a fan of the hankie drawer.  I’ve removed them from many dressers over the years.  Having those two boxes permanently adhered at either end of the top makes it difficult to put anything else on top of this piece, like a TV for instance.  And in the case of this dresser, I think it could easily be used as a buffet in the dining room, but not with hankie drawers. Usually there are a couple of screws holding the drawers in place, and that was the case with this dresser too.  So, I unscrewed the screws, removed the boxes, filled the holes with Dixie Belle’s brown mud and you’d never know they were once there.

Other than the finish being a bit worn, and the holes left by those hankie drawers, this piece was in perfect condition.  I paid a little bit more for it that I normally would, but not having to make repairs meant that I could restyle this one quickly.

To prep the dresser for painting I sanded it lightly and cleaned it with TSP substitute.  Then I pulled out my Fusion paint in a color called Little Lamb.  In the jar Little Lamb looks like a nice medium grey.  What I forgot about Little Lamb is that once painted and dry it has a purplish undertone.  In some lighting (such as mine) it almost looks lavender.  It’s a pretty color, but not what I wanted for this piece.  Here is how it looked on a bookcase I painted last year.

But no worries.  I just pulled out another jar of Fusion paint in Putty and was able to get away with just one coat of Putty over the Little Lamb, so I really didn’t waste any time or paint.  I would have needed two coats of the Putty had I not already had that coat of Little Lamb in place.  In fact, sometimes I even do this on purpose when transitioning a piece from a very dark original finish to a pale paint color.  Start with a first coat in a medium shade and then move to a paler color.

Once painted, I hand sanded with 220 grit sandpaper to distress and bring out some of the details on this piece.

Remember, Fusion paint can be more difficult to distress than milk or chalk paints because it has a built in top coat and once cured it is incredibly durable.  So if you’re going to distress Fusion I recommend either distressing right away as soon as the paint is dry to the touch (which is what I did here), or using some beeswax or hemp oil under your paint to create a resist in the areas you want to distress.

After I distressed this dresser I stood back and took a look. It was pretty, but it wasn’t very exciting.  The next decision was whether to add some more detail that would really make it pop, or leave it more neutral to appeal to a wider range of potential buyers.  I always struggle with this decision.

After all, we all need multiple pieces in our homes and they can’t all be showstoppers.  Sometimes we just need a piece that is pretty, but doesn’t steal all of the attention.  Sometimes buyers are looking for a piece that they can work into their existing decor, not a piece that will require redecorating the entire room.

But there was something about the top row of drawers on this dresser that was just bugging me.

See it now?  Why such a big gap in between the drawers, with the drawers flush up against the outside edges?  It just feels weirdly off balance to me.  Those two top drawers should be more centered.  I felt the need to correct that visually if not literally.

I thought one possible solution would be to add some sort of decorative detail to just that wide middle space.  Maybe a small IOD rub on transfer, a stencil, or even an IOD decor stamp.

But as I was digging through my IOD transfers I came across this one.

At 36.25″ x 25″ it was the perfect size to fill the entire front of this dresser.  And the detail of the rub-on would do a good job of drawing your attention away from the odd placement of those upper drawers.

Unfortunately I had a little trouble with the transfer.  When I tried to pull the backing paper off, parts of the transfer stuck to it.  No matter how I tried, I couldn’t get those bits of the transfer to detach from the backing.  And one of the bits in question was the face of one of the lions.  I really couldn’t apply the transfer with one faceless lion.

So I contemplated my options and decided to just remove the lions completely.  I cut away those sections of the transfer and kept going.

As it turned out, I think I might prefer this transfer without the lions.  Maybe lions just aren’t my thing.

I reached out to my contact at Prima Marketing and asked if there was a solution to this problem (aside from cutting away portions of the transfer) that I should try next time.  And yes, there is!  If this happens to you try popping the entire thing intact into the freezer for a little bit.  That should solve the problem.  But I also learned that there were some issues with this in previous shipments of the transfers, but they have made some changes to correct for it.  The transfers going out now shouldn’t do this (I purchased my transfer over six months ago).   So if you tried an IOD transfer a while back and ran into problems with the transfer sticking to the backing paper and decided they weren’t for you, give them another try.  I’ve done quite a few pieces with them (I counted, I’ve done 17 pieces with IOD transfers!) and normally I don’t have any issues.  Although, spoiler alert, I have learned not to wax before applying an IOD transfer (you can wax after).  But that’s a post for another day.  For now, just trust me on that one.

In addition, if you do have a transfer that fails, go back to your retailer and ask them to replace it.  Prima Marketing will send the retailer a replacement for you.

Did you notice my new lamp shade from Light Reading?  I mentioned a couple of weeks ago that I was in the market for another of their gorgeous lampshades and I did find one at Piccadilly Prairie in Southdale Center.  It looks amazing on the very Grecian looking lamp that I purchased at a garage sale.

I’m so glad I switched to the Putty for this dresser.  I love it in this pale shade.  Wouldn’t this piece make a lovely sideboard in a dining room?

As usual, this piece is for sale locally.  Check out my ‘available for local sale‘ page for more details on this piece or other pieces I currently have listed.

After painting the tall mid-century modern piece in a neutral dark grey last week, I promised myself that I would go for a more daring color on its companion piece.

I have to confess, I almost backed out of that promise when I saw how amazing the taller piece looked in the dark grey.

But I stuck to my guns and went for a brighter color on the low piece.

Can you guess what color I went with?  And no, it’s not mint!

But it is green.

Yep, I just had to choose Fusion’s Park Bench.  It worked so beautifully on the last mid-century piece I painted and that piece sold in just over 24 hours, so I decided to see if I could repeat that experience.

The prep work on this piece was exactly the same as for the taller one.  I had to re-position the drawers so that they were inset once again, but other than that it was ready to paint thanks to the sanding and repair work that the previous owner had already done.

I really love painting a large piece like this with the Fusion paint mainly because it cuts out one major step in the makeover process, having to add a top coat.  Fusion paint has a built in top coat.  After curing for about 3 weeks or so, this paint is fully washable and water resistant as is.  You’ll often see people adding a top coat, and you can add one if you want to, but you don’t need one for durability.

I love this gorgeous shade of green!

On the taller dark grey dresser I used Prima Marketing’s Metallique wax in Bronze Age on the knobs, but for this piece I wanted to go with a brighter gold so I went with their Vintage Gold Metallique wax.

Now it just remains to be seen if this green appeals to a buyer too.  Fingers crossed.

If you are local and would like more details, be sure to check out my ‘available for local sale‘ page.

As I was working on two mid-century pieces recently, I was thinking about how many blonde dressers I’ve done in the past.

I took the time to look back and realized I’ve done more than I thought.

My very first mid-mod blonde was a dresser that my friend Cathy gave me.  This was waaaay back, before I had a blog and before I realized that these pieces from the 60’s were coming back in style.  At the time I was just trying to make this piece more palatable somehow.

It was also before I realized that bright reflecting sunlight maybe wasn’t the greatest lighting choice for furniture photos.  And back when I was painting with plain ol’ latex paint and doing things like spraying the hardware white.

The blonde bombshell came along a bit later.  It’s painted in Annie Sloan’s Provence.

It had the most awesome drawer pulls.  They look like something that came off an airplane.

I think the vintage moxie pieces were my favorite blonde pieces to work on.

I painted them in Sherwin Williams’ Aloe (6464), which was the 2013 color of the year from their Vintage Moxie collection.  Seriously!  Vintage Moxie!  I had to use that name.

Aren’t those circular drawer pulls to die for?

On many of these mid-century pieces, the hardware is what makes the piece.

This mid-century nightstand is the first one I used vintage wallpaper on.

This was a case where I didn’t have the original mid-century hardware, so I gave it more of a vintage makeover with the wallpaper drawer fronts and the old milk glass knobs.

In March of 2015 I worked on another cute little blonde nightstand, this one made by Dixie.

It’s painted in Fusion’s Champlain and Laurentien, and I used the same vintage wallpaper inside the cubby hole area.  The flecks of gold in the wallpaper tie perfectly with the gold knobs.

Fast forward to September 2016.  Another friend gave me a blonde mid-century piece and surprise, surprise, I decided to paint it mint green.

The mid mod mint is painted in Dixie Belle’s Mint Julep with Annie Sloan’s Old White in the center.

Once again the piece has some distinctive mid-century drawer pulls.

Boy, it wasn’t until I saw all of these pieces in one place that I noticed how much I love painting the blondes with aqua/mint and white.

I’m glad I stepped out of that comfort zone when I painted my latest mid-century blondes.

You’ve seen the one painted in Dixie Belle’s Gravel Road, but you’ll just have to come back on Wednesday to see what color I chose for the 2nd one.  Here’s a hint, it’s not mint.

Unlike some lucky furniture painters, I don’t have a pole barn full of furniture waiting to be painted.  Although on occasion I’ve been known to have as many as 10 or so pieces out in the carriage house waiting for their moment in the sun, for the most part I don’t have room to store a lot of inventory.

I try to stock up a bit in the fall because typically by now there are slim pickings on Craigslist.  In February people in Minnesota are hibernating, they aren’t cleaning out the attic or getting ready to move.  Plus in the winter I’m obviously not finding pieces at garage sales either.

But I’ve pretty much worked through most of what I had stocked up and now I’m scouring Craigslist on a regular basis looking for candidates for a makeover and not finding a whole lot.  The occasional piece that attracts my eye ends up either too far away, too expensive, or else it has already sold to someone else but the ad wasn’t deleted yet.

When I initially came across the ad for this pair of mid-century dressers I gave them a pass.  I didn’t hate them, but I didn’t love them either.  I do enjoy working on the occasional mid-century piece, but I usually prefer older stuff.

But week after week I kept seeing this ad.  I suspect they weren’t selling because the seller wasn’t ‘working his ad’ very aggressively.  By that I mean that he wasn’t renewing the ad periodically to keep it towards the top of the list.  Over a month had gone by since the ad was originally posted and he’d never renewed it once.

Or perhaps the problem was that no one could see the potential in these pieces.

The price was certainly right, and after seeing the ad pass by a couple of times I stopped to take a closer look.  You know what I saw?  I saw two pieces where someone else had already done half of the work for me.  They’d already been sanded and were pretty much ready to paint (and when Mr. Q and I picked them up the seller told me that he’d also already replaced all of the runners inside).  So I realized that these two pieces could be a pretty quick turnaround.

Unfortunately, in addition to the sanding and repairing, the seller had also replaced the original knobs with these awful cheap knobs from the hardware store that are all wrong and have zero mid-century style.

But imagine my glee when I opened one of the drawers and found a Ziploc baggie filled with the original knobs inside.  Jackpot!

If you are thinking they look a bit grungy in that photo, just sit tight.  You’ll see what I did to spruce them up in a few minutes.

As we got talking with him, the seller happened to mention that he’d also made a couple of … well … let’s call them adjustments to the style of the pieces.  He said that originally the drawers with the long handles has been inset.  He thought that looked weird, so he added stops inside the dresser to keep the drawers from pushing all the way back.  Plus he moved the shims on either side of those drawers forward to bring all of the drawers flush with the front.

Now that you are aware of this, go back and look at the ‘before’ picture again.  Yep, now your eye immediately goes to those shims and you realize they look kind of odd, right?

I realized that I had to un-do those changes before I could start painting.  So much for the quick turn around.  But that being said, thank goodness the seller mentioned this.  I’m honestly not sure that I would have figured this out on my own.  I know I would have been puzzled about those shims, but would I have realized that two of the four drawers were meant to be inset?  Probably not.

I tried to remove the shims intact so that I could just simply move them back to their original location, but I ended up breaking two of them.  That’s when I called my handyman Ken for a consultation.  He came over and helped me get the rest of the shims off without breaking them (they were glued and stapled with heavy duty staples), and he took the broken ones home and cut replacements for me.  What would I do without Ken?

While Ken was working on that I had to take care of one last problem before I could start painting.

It wasn’t until I was wiping the drawers down to paint them that I noticed there was a hole on either side of the long wooden drawer pulls.  I’m guessing that there used to be a metal cap of sorts on either end of that pull.  I wish I’d found those inside a drawer in a Ziploc baggie, but no such luck.  So I needed to fill those holes.  I used my usual trick of placing a piece of tape on the back side of the hole, but then this time I filled them using Dixie Belle’s brown Mud.  It cracks me up that the label says ‘straight from the swamps of Dixie’.

Fortunately it does not smell like it’s straight from the swamps of Dixie 😉

I used a putty knife to press the mud into the holes and then I let it dry.  Once the first pass was dry I went over the holes a second time with the mud to make sure they were level with the drawer front.  Once dry again, I sanded them smooth and cleaned the drawer fronts with a damp rag.

Now came the fun part, the paint!  I always struggle with deciding between choosing a more neutral color that I think will sell more easily and choosing a more vibrant color that will be fun to paint with but may not appeal to as many buyers.  So I made a deal with myself to paint one piece in a neutral and one in a brighter color.  Today I’m starting with the taller piece, and it’s going more neutral.

Dixie Belle’s Gravel Road, to be precise, which is a warm, dark grey.  Once again I used Dixie Belle’s recommended method of painting.  I dipped my brush in water periodically to thin down the paint.  The paint goes on so smoothly using this technique.  It does also thin it down a fair bit, so two coats were required.  Also, in case you are wondering I used about half of the 16 oz jar for this dresser, so less than $10 worth of paint.

I use Dixie Belle’s Best Dang Wax! in brown as a top coat.  I like how the brown wax warms up and deepens the color a bit.

Before putting those original brass knobs back on, I washed them with soap and warm water and then once dry I added some Prima Marketing Metallique wax.  I debated using the Old Silver and although I think that would have looked gorgeous, I went with the warmer tone of the Bronze Age instead.

I like to apply it with a q-tip (although some people just use a fingertip).  The trick is to apply even coverage and then leave the knobs alone to ‘dry’ for a couple of hours.  Once dry you can buff lightly to add some shine.

They look amazing on the dresser.  It was so lucky that I was able to put the original knobs back on this piece.

I have to admit that I did not have high expectations for this dresser.  I really expected to improve it somewhat with a paint job and call it good.

But in the end, after salvaging a bit of the original mid-century modern style, I am amazed by the transformation.

How about you?