the patisserie cupboard.

Today I’m sharing this adorable miniature cupboard that I picked up on my visit to Miniature Crush.

I didn’t have a spot in mind for it in my own dollhouse, but I knew it would be a fun painting job regardless.

To start, I removed the gold knobs.  That was easy enough, they pulled right out.  Next I gave the piece a light sanding all over just to smooth out any remaining rough spots.  Then I gave it a base coat of one of Dixie Belle’s newest colors called Thicket, a medium grey-green shade.

I really could have chosen any number of colors for that base coat, it’s just something to distress my final color back to without it just being bare wood.  I wanted to try out this new color to see what it looked like though.  Unfortunately, I didn’t think to take a photo of the cupboard in this color.  Oops.

Next up I painted the shelf area of the cupboard in Dixie Belle’s Drop Cloth.  Once dry, I painted the rest of the cupboard in their Midnight Sky.

I then pulled out the I.O.D. Brocante transfer and cut out this section from one of the pages …

I thought it would fit perfectly inside this cupboard, and it almost did.  The widest lines of wording were just a tiny bit too wide.  So I ended up cutting the individual lines apart and modifying them as needed to fit.

Once I had that in place, I used a damp terrycloth rag to wet distress the edges of the cupboard.

It can be easier to control your distressing when using the wet method v. sanding.  My goal was to distress back to the Thicket color without going all the way back to bare wood.  I achieved that better in some spots than others, for example at the bottom of the curved apron or on the front foot shown here.

However, I went too far on the drawers.

I still love the results though.

Once I had the cupboard distressed to my satisfaction, I replaced the original knobs on the drawers with some Craftsman style pulls, also from Miniature Crush.  Then I lined the drawers using some of the Tim Holtz Curator Snippets.

I finished off the cupboard with a coat of Dixie Belle’s clear wax.

Now, if only I could figure out a spot for it in my dollhouse.

I’ll keep looking.  But in the meantime, what do you think of the Patisserie cupboard?  Leave a comment and let me know.

sometimes you just need a box.

First up, I want to thank everyone who took the time to leave a message conveying their condolences on the loss of our sweet Lucy.  Every comment was so kind and thoughtful and I appreciated each one.  Somehow it’s easier when you know you’re not alone and many of us have suffered through the loss of a beloved pet.

I have to admit that I haven’t felt very creative over the past week and have been mostly watching old Miss Marple episodes on PBS Masterpiece interspersed with taking nice long walks in the woods with Mr. Q (in between snow showers, ugh, could winter just be over already?).  But luckily, I had finished a few projects earlier that I can share with you today.

You may remember that I picked up a trio of boxes while out thrifting a few weeks back.

They are three different sorts of boxes; a metal lock box, a small wood box with a hinged lid, and larger open wood box.

I chose that last one at the time because I thought it would be handy for corralling some of my dollhouse supplies.  You know, sometimes you just need a handy box to put stuff in.

I’ve given all three of them makeovers, so I thought I’d share them with you today.

First up, the lock box.

To be honest, I really debated whether or not to throw this in the cart.  But it was only $3.99, so I figured it was worth a shot.

After washing it up, I gave it a cursory sanding with my Mouse sander, wiped away any dust and then gave it a good coat of Dixie Belle’s Bonding Boss both inside and out.  Although there wasn’t any rust, and bleed through wouldn’t be an issue, it was a pretty slick surface.  Not only does the Bonding Boss prevent bleed through, it also improves adhesion of your paint.

One more quick note about Bonding Boss.  I almost always choose to use the clear version.  It also comes in white and grey.  If you aren’t going to distress your item, it might make sense to use the white if you are painting light color over a dark finish, or the grey if your final color is in the red family (red will cover better over a grey primer).  But when you distress the edges of your piece the white or grey will show.  So I mostly use the clear version to avoid that.

Next up I painted the inside in Dixie Belle’s Cottage Door.  I’m still loving this particular shade of coral/pink.

After two coats of paint were dry, I added another of the gilded Etiquettes transfers from I.O.D. inside the lid.

I am definitely starting to get the hang of these gilded transfers.  Isn’t the gold lovely over the Cottage Door color?  I’m glad I didn’t give up on them entirely after the first time I tried them (which was pretty much a fail).  If at first you don’t succeed …

I painted the outside of the box in Dixie Belle’s Drop Cloth, and once dry I sanded the edges to distress the paint.

After cleaning up the dust, I started adding roses from the I.O.D. Rose Botanical transfer.

Every time I use this transfer I am reminded how beautiful the roses are.

In case you aren’t familiar, this transfer comes with single rose images in a few different sizes.  I just cut them out and started layering them onto my piece.

Once I had the roses in place, I added some typography from the I.O.D. Label Ephemera transfer to the top of the box.

Finally I gave the box a coat of Dixie Belle’s flat clear coat to seal it inside and out.

I ended up bringing this box into the shop (Reclaiming Beautiful in Stillwater, MN) to sell, and I believe it may be already sold, I’m not sure.

Next up, the open box.

Giving this box a new look was a much simpler process.  I gave it quick cleaning, followed by a scuff sanding to prep the surface for paint.  Then I painted it in one of Dixie Belle’s new Southern Roots colors called Thicket.

I had a heck of a time trying to get a good photo of that color.

I hope that’s a decent representation of it.  It’s a nice grey green, but possibly not as dark as I thought it would be looking at the jar.

Once the Thicket was dry, I painted over just the outside of the box in two coats of Ecru.  Once that dried, I sanded the edges a bit to distress them and then started applying some transfers.

The florals are all from I.O.D.’s Floral Anthology.  The wording is from their Label Ephemera transfer, and the butterflies are from their Brocante transfer.

I decorated both sides of the box, and wrapped some around the corners too.

I gave the inside of the box a top coat of Dixie Belle’s flat clear coat for extra durability, but I finished the outside with their Easy Peasy Spray Wax.

I tend to forget about this product, and it’s super easy to use.  Just spray it on and then wipe away any excess.  I usually use an old t-shirt for that.

I staged the box with all of my vintage green books.

I have to confess that I usually choose vintage books based on their color rather than their content.  However, this little book on Flowers published in 1909 is one of my favorites.

It’s probably childish of me, but I chuckle a little every time I open it to find a chapter called “soil for pot plants”.

Clearly that meant something more innocent in 1909.

Last up is the cigar box.  Well, I’m calling it a cigar box because it’s the right size and shape for a cigar box.  There is a stamp on the bottom that says “container made in the Dominican Republic”, and that’s the only mark on the box.  It also doesn’t smell at all like cigars inside.  So, was it a cigar box, who knows?

Regardless, it had a finish on it that would almost definitely bleed thru paint.  So once again I followed the proper directions with the Bonding Boss.  I applied two coats with 4 hours of dry time in between coats, followed by 24 hours of dry time after the 2nd coat.

Lucky I did, because there was one small spot around the hinge in the back where I missed getting good coverage with the Bonding Boss, and sure enough my paint turned a little orange in that spot.

But otherwise, the Bonding Boss did the trick.  I painted the inside of the box in Dixie Belle’s Apricot.

Then I painted the outside of the box in two coats of Dixie Belle’s Drop Cloth.  Once dry, I pulled out one of the new I.O.D. transfers called Catharina.  This set features botanical illustrations painted by Catharina Klein in the late 19th and early 20th centuries.

These florals are very soft and delicate looking.

Although there are some roses in this set, there are also lots of other flowers like pansies, violets, apple blossoms and more.

Aren’t they pretty?

I also added some bits and pieces from the I.O.D. gilded Etiquettes transfer here and there on the front.

And then I added a larger image from that transfer on the top of the box.

This would make a lovely jewelry box, or just some sort of trinket box.

I still have this one on hand if any of my locals are in need of a pretty flowery box.  I’ll list it in my ‘available for local sale‘ page with the details.

So there you have it.  Three makeovers of three different ‘boxes’.  Leave a comment and let me know which one is your favorite!

a cat in a hat.

It has been a very difficult time for us this week as we had to say goodbye to our beloved cat, Lucy.

Lucy came into our lives nearly 18 years ago.  We weren’t planning on getting another cat, well, in fact we were planning on definitely not getting another cat.  But then we met Lucy on a visit to Mr. Q’s aunt & uncle’s house.  Apparently someone had dropped her off out in the country to fend for herself (why do people do that?).  Aunt Judy was feeding her, but they didn’t want to take her in.

Lucy was special though.  For one thing, she was very pretty.

Her fur was as soft as rabbit fur.

And that face!  She was so adorable!

But more than that, she was the friendliest thing.  Immediately upon seeing us, she came up to us and reached out to be picked up.  Once in Mr. Q’s arms, she nuzzled his ear and started to work her charms.

We tried to remain resolute.  We went home without her.  Because we didn’t want another cat.

But all night we were thinking about what a sweetheart she was, and maybe it would be OK to have just one more cat in our lives.

We went back for her the next day.  Who would have thought that she would then be in our lives for 18 years?

Lucy was special.  I know everyone probably says that about their pets, but she really was.

She loved to be held and was such a snuggler.

She was never happier than when she was riding around on Mr. Q’s shoulders.

When we went to bed at night she would impatiently wait for me to put my book down, and then she would insist that I make room for her on my pillow.  If I didn’t comply, she would literally try to get comfortable on my head. No matter how many times I tried to move her off my pillow, I would always wake up to a crick in my neck and Lucy comfortably ensconced on the pillow.

Handyman Ken always said she was more like a dog rather than a cat.  She would run up to greet him when he came out into the back yard, wanting to be picked up and petted.  He always took such good care of her when we were traveling.

I haven’t shared too much about Lucy here on the blog, just the occasional photo bomb.

She always had to check out just what it was that I was focusing on so intently.

And she had to thoroughly inspect any piece of furniture that I brought home to makeover.

And then there was the post where I was explaining that the chaise lounge on my porch was really just a glorified cat bed.

I’ve never been one of those ‘oh look at these 500 photos of my cat, isn’t she awesome?’ sort of people.  But I hope you’ll forgive me today for sharing the handful of photos that I do have of Lucy.  The fact that I didn’t take a million photos of her is in no way an indication of how much I loved her.  Both Mr. Q and I loved her tremendously.

Sadly, as we all know, cats don’t live forever.  In fact, having Lucy for 18 years was far more than we ever could have reasonably expected.

Her health had been inexorably declining over the last several years, but up until recently we felt that she still had a good quality of life even though she had clearly slowed down quite a bit.  She had more good days than bad days.  She was still demanding to go outside on a daily basis, although she had started to turn around and say ‘no f’n way’ when we opened the door and she realized the temp was below zero.  And she was still stealing my pillow.

But about a week ago she stopped coming into our room at night.  I could no longer entice her to eat, even though I tried every treat designed for finicky cats on the market.  It also became clear that she was suffering.  She would struggle to stand up, and to lie down.  Her fur had gotten incredibly matted over this past winter, and she was nothing more than skin and bones.  It was becoming obvious that we could no longer hope that she would just pass painlessly in her sleep.

So we made the impossible decision to have her euthanized.  Although I don’t necessarily want to talk about it, I do want to share that we used CodaPet.com to find Dr. Keri Wasmoen.  She was incredibly kind and so, so gentle with Lucy.  If any of you find yourself in a similar situation, I highly recommend her.

She also did her best to reassure us that we were doing the right thing, that providing a peaceful, pain-free end is the kindest thing you can do for a pet that is suffering.

But it’s also one of the hardest things I’ve ever had to do.

I’m not sure how long it’s going to be before I quit making sure that I left the basement door cracked so she can get to her litter box, or checking at the door to see if she’s ready to come in.

So please forgive me if I’m not my normal self for a while as I work my way through the grief of losing a much beloved pet.  She will be missed.